Fell Beasts & Fair: A Noblebright Anthology

I may have mentioned that 2018 was going to be a busy year for me…

….which is why, barely a week after the publication of Staff & Crown, I’m bringing your attention to another book that has a piece of me in it–AKA, one of my stories.

Introducing Fell Beasts & Fair; a Noblebright Anthology, from Spring Song Press. This collection of 23 stories ranging from short stories to novellettes will be out on March 20th, and it is my delight to share with you a short excerpt from my own offering (plus an excerpt from one of my favourites in the collection).

Cloudy With a Chance of Dropbears is a UF novellette that takes place in the world of the UF series I will begin publishing half way through this year, and features that most Australian of mystical creatures–the Dropbear. Below is a sample for your delectation! 

–oOo–

I went and got my own coffee before the coffee boy got back, eager to sniff out more payments that had a suspicious lack of product to go with them. I put it down on my desk and settled myself to sit down, but something sharp and hot seared my leg where my Behind Identify Card should be. I yelped and pinched it out of my pocket. Behind magic is the good stuff, but there’s nothing that melts faster than an Identify Card, magic or no magic. Something about magic and the newer human manufactured substances doesn’t blend well.

Now that I looked at the card, it was a lot blacker than it should be. Well, parts of it were blacker than they should be and it was still hot in my fingers, and now there was nothing burning in my pocket… I squinted down at it, irritated to find that my glasses weren’t around my neck, and reached for the desk where the missing glasses should have been.

My desk wasn’t there. Actually, the office wasn’t there. No wonder the ground was so squishy beneath my peg—it was real grass, not the magic-fake they put in Behind offices.

Great. Someone had relocated the office without telling me. I’d send off a pretty well loaded message as soon as I found where those goons in Location had parked it this time. I’m as security conscious as the next leprechaun, but there was no way we’d been found so soon after the last move. I looked down at my Identify card again, and it looked a bit red in the middle. Red in the middle, and if I squinted at it just right, there were words making a black scrawl in the centre of the red bit.

Kill the kid and you can come back, it said.

I snuffled a dry laugh down at it. Somebody was having a laugh. It was a bit stupid, though; kid was the word used for human children, and who was going to find a kid Behind? I looked a bit closer, and a sticky breeze swept across my forearms, raising goosebumps in spite of its warmth. That wasn’t just red behind the writing. It was Red. If somebody was having a laugh, why was my Identify Card marked Red for Deport? Deportation Red meant tried, executed, and deported. No return to Behind.

That was stupid. Someone had to be having a laugh. I was still Behind…wasn’t I? But where in Behind was I? I looked around me, dazedly taking in the dark green foliage of trees and the playground, and the half tree that someone had turned into a house—wait. The playground? Fae don’t have playgrounds. And why was the heat so heavy today? Where in Behind had access to this kind of muggy heat? Muggy…muggy heat? There’s no muggy heat Behind; too many weather mages.

“No,” I said numbly, sweat springing to my brow. “Because that means I’m—that means I’m in the human world.”

Red for Deport. I was in the human world.

–oOo–

And because I really loved the feel and characters of Alena Sullivan’s Blanche, Bear-Wife, here is a sample of that delightful read…

–oOo–

It’s during the ice storm in February that the bear first comes by. “I hate to be a bother, but it’s mighty cold out,” he rumbles apologetically, hugging his ice-crusted coat tight around his shoulders as he ducks through the doorway. “It is, that,” I admit, smiling a little crookedly and pouring a hot mug of apple cider. I reckon that’s the sort of thing a bear could drink— it’s something warm, at any rate. I set it on the counter as the bear lumbers up and takes a seat on the stool across from me, gingerly testing it against his weight before he settles properly.

Rosie nudges me, elbow bordering on painful against my ribs. “He’s a bear,” she grits out through clenched teeth.

I lift a shoulder in a shrug. “It’s cold out there.” My Gramma, who raised me, is a little old lady who believes in real Southern hospitality, in making everybody welcome and looking after them all the same. When she opened this place, it was the only joint on the street that didn’t have a sign in the window that said whites only, and she never looked twice at anybody, not for their color or their war wounds or their piercings or tattoos. She doesn’t like my tattoos much, but she loves me, with or without them, and I’m not gonna shame her by turning anybody away in this weather.

“A freaking bear,” Rosie repeats, a little louder, a little shrill, and I can feel my mouth go tight around a cringe. The bear flinches.

“That’s no call to be impolite,” I say.

–oOo–

Fell Beasts & Fair will be out on March 20th, and is available for preorder on Kindle, Kobo, iBooks, Smashwords, and B&N. Paperback will be available soon!

Interview: C.J. Brightley

Hey guys! We’re at the end of the Luminous Blog Tour of Authors, and I’m lucky enough to have the amazing C.J. Brightley on my blog today to answer a few questions! (You can check out the other blog posts in order here). Don’t forget to read through ’til the end and enter the rafflecopter giveaway!

C.J. is one of the authors in the Luminous boxed set, with her book The Lord of Dreams; moreover, she was the first person I ever heard talking about ‘noblebright’.

So it’s fitting that my first question for C.J. is, what is Noblebright to you?

 I’ve loved noblebright fantasy since before I had a name for it. I think noblebright is about “the good guys” and the hope that we can choose to be the good guys. In a noblebright story, kindness, courage, integrity, and generosity make a difference. The characters can change their lives, and the lives of the people around them, for the better. The world may be full of darkness, but noblebright characters choose to be light.

I think the idea that kindness, courage, integrity, and generosity can make a difference, is one of my favourite things about noblebright as a genre–the other favourite being that truly good characters aren’t mocked or seen as weak and naive. It’s probably why I’ve enjoyed every book in Luminous that I’ve read so far. And speaking of the books in Luminous, which is your favourite book in the Luminous collection; and why?

That’s an impossible question! I invited each of the authors to contribute to the boxed set because I loved something about their writing.

JA Andrews’s A Threat of Shadows deals with a good man, plagued by his own sin, finding a kind of redemption in generosity and sacrifice, both his own and that of others. I loved the hope in it, the idea love can make a difference, even when we think we’re too far gone.

Intisar Khanani’s Sunbolt was magnificently noblebright and fun; I loved Hitomi’s thoughtless impulse toward doing the noble thing. She didn’t mean to be noble and selfless, exactly; it just came naturally to her. I love that sort of character, and I haven’t read that many of them, although I tend to write them myself! Her writing is so vivid and sharp. I’ve already finished the second book, Memories of Ash, and am anxiously awaiting the final book in the trilogy.

Christopher Bunn’s The Hawk and His Boy enthralled me with beautiful prose. There was a cliffhanger, which I normally wouldn’t like, but I couldn’t even resent it because every sentence was so enjoyable. I’ll be continuing this series as well.

W.R. Gingell’s Wolfskin is a beautiful, clever, funny fairytale retelling. I love all her characters; they rarely get into trouble because they’re foolish or stupid, but they might because they’re naïve. They’re bright and wise and brave, and they do the noble, courageous thing even when they’re terrified.

And… well, I could go on, but you really ought to read them all yourself!

 Aw! *blushes* thanks for my share in that reel of praise! I totally agree about Intisar’s Hitomi, and I’m really looking forward to A Threat of Shadows, as well. Characters are a huge part of whether or not I’ll enjoy a book, and a huge part of which books I choose to pick up. What is your favourite kind of character?

I love courageous, kind, generous characters, especially if they have a sense of humor. And when I say courageous, I mean both moral and physical courage. Many books have physically courageous heroes; the ones I love are the ones with the moral courage to stand against evil, even when it seems the whole world is against them. 

Do you have plans for a sequel to your novel included in Luminous? (Like, please? Because I want to read it!)

I don’t exactly have plans, but I could be persuaded to write a sequel! I have a few other books I need to write first.

How would you like your persuasion? Chocolate form? Coffee? I know–lots and lots of stationary, if you’re anything like me…

Important question: how do you like to write? Longhand (shorthand?), typewriter, computer, blood, nail scratches on the walls? (Or with the bribery stationary…?)

I brainstorm over email with my father and in several disorganized notebooks scattered around the house. Then I draft in Scrivener. I often write out of order, so being able to easily reorder scenes is important to me. I also don’t have distinct drafts; I tend to just poke at it until it’s done. I share the story with alpha readers when it’s quite rough but mostly coherent (albeit with missing scenes all over the place), then again when it’s nearly done. If I’m really stuck, I’ll go back to the notebooks for a while. I’ll probably lose my notes, but the process of writing out ideas will help jostle something loose. 

Oh, wow! That’s great that you can do that with your dad! My father isn’t at all creative and he still struggles with how exactly it is I can write. Fortunately, he’s provided everything else I needed to grow into the writer I am today. Also, I’m glad to hear that there’s someone else who writes out of order! (I thought I was the only one).

What is your perfect writing day? 

In my imaginary perfect writing day, I’d get up around 5:00am and eat a light breakfast while reading over brainstormed notes and ideas. Then, coffee in hand, I’d write for a few hours (taking short breaks to read or surf the internet every hour or so). Around 9:00am, I’d take a break and go for a run or the gym for a hard workout. Then I’d shower, eat a snack, and write until a late lunch. After lunch I’d probably take a break and read, maybe take a power nap and/or a walk, and then write some more! I’d probably stay up way too late, snacking on increasingly ridiculous things, and end up writing 14 words in the last two hours of the day. It would be fun!

In reality, I homeschool my two young children (6 and 3) and I write during their nap/quiet times and after they’re in bed. A few times a year I manage to get a whole day to myself, breakfast to dinner, and I go a local café for a few hours, then migrate to the library for a few more hours. 

I have such huge respect for women who not only write but raise children. I can’t imagine having to work so hard! With that said, I guess the question of whether you’re a speed writer or a turtle writer is an easy one!

I’m a turtle writer. I’m slower than molasses in a blizzard in January at the North Pole. It’s a miracle I’ve ever finished anything, honestly.

One reason I’m slow is that I’m a homeschooling mom with two small children; partly that’s a time limitation, but mostly it’s a mental energy limitation. The larger reason is that I process story in a way that doesn’t often result in quick drafts. As I write out of order, it feels a bit like uncovering pieces of dinosaur bones. I have to put a dozen or so aside before I even know exactly what sort of dinosaur I have, and then I have to fit the next few dozen pieces into that concept in a way that makes sense, then I have to fill in the missing pieces. 

Now for the big one…tea or coffee?

Coffee with lots of flavoured creamer and whipped cream. I tend to put lots of creamer in at the beginning, then keep topping up my cup with coffee as I drink it, so that by the end, it’s not very sweet at all and I wonder why I drink such yucky stuff. 

I have no sympathy for coffee drinkers…*sniffs*Music or no music?

I’d like to listen to music while I write, but I find it too distracting. I’ve recently been listening to brain.fm, which I really like. My favorite is the Thunder Focus option – anything that sounds too musical distracts me, but the thunderstorm sound is relaxing.

Sometimes when I have a scene pretty well in mind (rather than making it up as I go), I’ll listen to instrumental movie soundtracks. The soundtrack to The Lord of the Rings is one of my favorites.

Ah, The Lord of the Rings OST! Yes, I’ve got all of those on cd, along with about 50 other OSTs…The playlist I created with all the OSTs for The Pirates of the Caribbean movies is one of my favourite playlists for writing.

Thanks, C.J.!

Discover C.J. Brightley’s writing, and nine more noblebright reads in Luminous… You can also check out the full line-up of Luminous author interviews at http://noblebright.org.
And don’t forget to scroll all the way down to the giveaway!

Amazon  |  B&N  |  Kobo  |  iTunes  |  Smashwords  |  Google Play

 

Dare to step into lands of myths, magic, and monsters, because there is light to be found in even the darkest of places.

Now, ten fantasy authors have come together to offer this epic boxed set of noblebright fantasy! Don’t miss this fantastic opportunity to explore ten unique worlds, fall in love with gallant heroes and heroines, and discover the chinks in the darkness where the light shines through.

 

What is Noblebright fantasy?

Set apart by a sense of hope, noblebright fantasy includes at least one character who, although flawed, still deliberately pursues goodness. And that goodness has the power to make a difference. In a noblebright story, even villains are not without hope. Their redemption isn’t guaranteed, of course, but it is a possibility.

 

This boxed set includes:

The Lord of Dreams by C. J. Brightley

When a fairy king grants a human wish, there’s more at stake than dreams.

 

A Threat of Shadows by JA Andrews

Haunted by his past and surrounded by companions carrying their own dark secrets, Alaric grasps at one last chance to save his dying wife. 

 

Heir of Iron by J.S. Bangs

Family secrets. Forbidden Love. An empire on the brink of collapse.

 

The Hawk and His Boy by Christopher Bunn

You can run as far as you can, but you can never escape the Dark.

 

Chronicles of Steele: Raven: The Complete Story by Pauline Creeden

Just when Raven tries to leave the life of a Reaper, she’s pulled right back in. 

 

The Firethorn Crown by Lea Doué

After discovering a secret underground kingdom and a mysterious sorcerer-prince, Princess Lily must free herself and her sisters from a dangerous curse or face a lifetime of darkness.

 

Wolfskin by W.R. Gingell

Sometimes the little girl in the red hood doesn’t get eaten, and sometimes the wolf isn’t the most frightening thing in the forest…

 

Sunbolt by Intisar Khanani

A street thief with a dangerous secret, Hitomi finds herself betrayed to the dark mage who killed her father.

 

Rachel and the Many-Splendored Dreamland by L. Jagi Lamplighter

Magic school can be a lot more dangerous—and wondrous—than expected.

 

The Pygmy Dragon by Marc Secchia

Now, the courage of the smallest will be tested to the utmost. For Pip is the Pygmy Dragon, and this is her tale.

 

Amazon  |  B&N  |  Kobo  |  iTunes  |  Smashwords  |  Google Play

A LUMINOUS Giveaway!

For a chance to win this awesome Lord of the Rings book tote, Harry Potter journal, plus swag from LUMINOUS authors, enter here:

A Rafflecopter Giveaway

Luminous: a Smorgasboard of Noblebright

Hi guys! I was going to use this blog post to do a cover reveal for A TIME TRAVELLER’S BEST FRIEND, but I’m doing this instead. (Sorry. But that post will be coming on Wednesday).

A little while ago (last year some time) I agreed to be part of a boxed set of Noblebright stories with CJ Brightley, a lovely person and awesome author who has among her books a Labyrinth-inspired tale. That boxed set, LUMINOUS, is now a reality, and is on preorder for August 1st. I haven’t yet finished reading all the books in it, but the ones I have read are awesome. My WOLFSKIN is included, as in Intisar Khanani’s SUNBOLT, which should give you a general idea of the kind of feel to this particular Noblebright set.

Also, the preorder price is $2.99 USD. I mean, $2.99, guys. It has ten books in it. So excuse me while I get to reading.

Below is the (gorgeous) cover by Jenny at Seedlings Designs, and a blurb and general run-down of the books in LUMINOUS. You can preorder LUMINOUS at Amazon, Smashwords, Kobo, Barnes & Noble, and iTunes.

 

Dare to step into lands of myths, magic, and monsters, because there is light to be found in even the darkest of places.

Now, ten fantasy authors have come together to offer this epic boxed set of noblebright fantasy! Don’t miss this fantastic opportunity to explore ten unique worlds, fall in love with gallant heroes and heroines, and discover the chinks in the darkness where the light shines through.

What is Noblebright fantasy?
Set apart by a sense of hope, noblebright fantasy includes at least one character who, although flawed, still deliberately pursues goodness. And that goodness has the power to make a difference. In a noblebright story, even villains are not without hope. Their redemption isn’t guaranteed, of course, but it is a possibility.

This boxed set includes:
The Lord of Dreams by C. J. Brightley
When a fairy king grants a human wish, there’s more at stake than dreams.

A Threat of Shadows by JA Andrews
Haunted by his past and surrounded by companions carrying their own dark secrets, Alaric grasps at one last chance to save his dying wife.

Heir of Iron by J.S. Bangs
Family secrets. Forbidden Love. An empire on the brink of collapse.

The Hawk and His Boy by Christopher Bunn
You can run as far as you can, but you can never escape the Dark.

Chronicles of Steele: Raven: The Complete Story by Pauline Creeden
Just when Raven tries to leave the life of a Reaper, she’s pulled right back in.

The Firethorn Crown by Lea Doué
After discovering a secret underground kingdom and a mysterious sorcerer-prince, Princess Lily must free herself and her sisters from a dangerous curse or face a lifetime of darkness.

Wolfskin by W.R. Gingell
Sometimes the little girl in the red hood doesn’t get eaten, and sometimes the wolf isn’t the most frightening thing in the forest…

Sunbolt by Intisar Khanani
A street thief with a dangerous secret, Hitomi finds herself betrayed to the dark mage who killed her father.

Rachel and the Many-Splendored Dreamland by L. Jagi Lamplighter
Magic school can be a lot more dangerous—and wondrous—than expected.

The Pygmy Dragon by Marc Secchia
Now, the courage of the smallest will be tested to the utmost. For Pip is the Pygmy Dragon, and this is her tale.

These Are a Few of My Favourite Things: Meredith Allady

Technically, Meredith Allady doesn’t qualify as a Favourite Thing; being, as she is, a person. So this blog post is more in the way of a review of her latest book, A SUMMER IN BATH, and a general fan flail about what an awesome writer she is.

For a start, Meredith Allady has the distinction of being one of only TWO authors I know of who, when compared to Jane Austen, actually bear out that comparison. I can’t tell you the amount of times I’ve read that this or that author is JUST LIKE reading Jane Austen. RUBBISH. They’re not. They’re like a very bad version of Georgette Heyer. (If they were a GOOD version of Georgette Heyer, I’d have no complaints, but even so, weigh your comparisons, people!) Meredith Allady, on the other hand, is about the closest thing I’ve read to Jane Austen, while at the same time having her own style and voice. She writes the period as if IN the period, which is as big of a compliment as I can pay a historical writer. It’s not just the knowledge of the period, it’s the style of writing: the gorgeously Georgian comma usage and sentence structure, the conversational humour, the attitudes and considerations. And as a Christian, I SO MUCH LOVE that her characters talk and live God, Christ, and scripture. However, be not alarmed, non-Christian readers; the usage is natural and just, and you’re unlikely to feel preached at unless you’re of the most delicately minded atheists who can’t stand to see the names of God or Christ in print (in which case, your life is already hard enough: skip this book).

Add A SUMMER IN BATH on Goodreads by clicking through the pic…

Having flailed a little, let me proceed to the book in question, A SUMMER IN BATH.

First and foremost I should mention that I think this is the best of Meredith Allady’s books so far, despite the fact that, as warned, it was almost entirely sans Ann (my favourite character from the Merriweather Chronicles). It zipped along at a pace that was, contradictorily, both satisfyingly speedy and Regency-fashion sedate: I never found it too slow (in fact, it was very difficult to stop reading for run-of-the-mill things like eating and sleeping) but neither did I find that it was missing the particularly sedate perambulatory style that I love so much about both Allady’s and Austen’s work.

We meet Sibyl, Sibyl’s sister Jane, the Earl, a mysterious young man (or not so mysterious, if you’ve already read the previous two books), and several other characters, some of them known only as recipients of Sibyl’s and the Earl’s letters (until the end of the book, anyway). This book is written in the epistolatory style, but there is absolutely no lack of dimension to the characters, which is a huge testament to the writing of Meredith Allady. Each of them is fully-fleshed, fully human, and capable of making mistakes. We’re mostly in Sibyl’s head, but we get a wide range of sight and character, and occasionally, we get a letter in the Earl’s P.O.V. (delightful excerpts, but more of that later…)

First of all, I LOVE BEING IN SIBYL’S HEAD. She’s at the same time so young and naive, yet so mature. So learned and clever, yet so inclined to run aground when it comes to knowledge of people. SO. FLAMIN’. ADORABLE. So inclined to reflect on her own behaviour and correct wrong things. Even if other people in the situation do the wrong thing, if Sibyl does the wrong thing too, she acknowledges it and makes it right. I love right-hearted characters. And Sibyl never comes across as stuffy for doing so—just thoughtful. She’s a beautifully well-drawn character. It’s a constant delight seeing the world through her eyes, and even if I don’t agree with her assessment of novels(! :D), I love that she’s a complete, unapologetic, distinct character. I found myself very much at home in her head.

Unusually enough for me nowadays, I utterly fell in love with the hero of the piece, the Earl. Some of this falling in love has to do with his AMAZING way with words and the fact that for the first time in years, I had to seriously think about the provenance of a word to decipher its meaning, not having come across it before. Not just once, but about three times. Having done so, I could work out from root words and context what the word meant, but it was something I’ve not had to do for years. Not to mention the usage of older, WONDERFUL words that I almost never see in fiction any more.

More than than, it’s his affectionate view of Sibyl that made me love him. And, in the cleverest way imaginable, this view of the Earl is given not just in letter fragments from his P.O.V., but in the letters from Sibyl. Through her largely ignorant eyes, we see exactly how the Earl views Sibyl, and if Sibyl has no idea of his feelings for her, the reader is left in no doubt. It’s beautifully, BEAUTIFULLY drawn.

There are side-stories, side-threads, and things left to be told in later books. They’re things that you can guess if you’re a little more inclined to noticing things than Sibyl is, but if not, on a re-reading you’ll see that they’re gently led from early on.

All in all: BUY THIS BOOK. I LOVE THIS BOOK. Read it again and again, and enjoy the excerpts from writings of the day that Meredith Allady has cleverly pieced in between the letters. They’re there for a reason, and most of them are humorous (though if you’re like me, you’ll have an aw moment or two, as well).

(SIDE NOTE: I can’t say how much I LOVED seeing Clive. He’s a character I simultaneously love and hate. Well, not hate; but I would love to smack him upside the head every so often. Please don’t think I don’t love him. I do. But I think he would greatly benefit from the occasional smack upside the head throughout the course of his life.)

I got my hot little hands on a paperback copy of A SUMMER IN BATH (and at the same time purchased paperbacks of the first two in the Merriweather Chronicles) because if I love a book I always want the paperback of it and I was certain in advance that I’d love the book. So just a small note to add that I ADORE the bigger print in the paperback version, because I’m getting old and my eyes are starting to prefer larger print…

Five utterly-well-earned stars for A SUMMER IN BATH.

Cheating at Characterisation…

No, not this Thing. This Thing is awesome and cute and more than slightly hilarious.

There’s this Thing.

It’s an irritating Thing. A far-too-prevalent Thing. I’d all but forgotten about it until recently, when I came across it again in one of the books from my TBR pile.

It sounded like a good book, so I was reasonably anticipatory as I flipped to the first chapter. It was a solid first chapter, fluffy and bright and quite a bit of fun. There were glimmerings of decent characterisation, and the setting was an interesting one with some fun ideas I hadn’t seen before.

I actually quite enjoyed it until I started seeing the Thing in chapter two. At first, it was just a touch or two of the Thing. Nothing too obvious. Just an edging here or there that could have just been a character being different. Then I got to chapter four and the Thing burst onto the scene in all its warty annoyance, unmistakable and unavoidable.

First, one of the MCs was introduced. She was a politically loud, rebellious, environmentally proactive MC, trying hard to do the right thing by sourcing ethically produced products for her store. She had a habit of talking down to anyone and about anyone who didn’t align exactly with her politics.

Okay, I thought. She’s kinda annoying, but she’s also really energetic and even if she’s a bit preachy and self-righteous, people tend to grow up. Besides which, I’m the kind of reader that can appreciate an MC that isn’t perfect. And even if I didn’t agree with the way she put across her opinions, I agreed with and could appreciate quite a few of them.

Then the main bad guy was introduced. How did I know he was the main bad guy? He was introduced as ‘ranting’ about Trump, illegal immigrants, and one or two other hot-button topics of today’s world.

I groaned. I mean, I seriously, literally groaned. Not the Thing. Please, not the Thing!

But it was the Thing. The author was introducing all the ‘evil’ or ‘unpleasant’ characters as those who held to a certain set of political views and/or ethical beliefs, while introducing all the ‘good’ or ‘right’ characters as those of (I assume) the author’s own preferred beliefs. It didn’t stop with one or two characters, and it didn’t get any better from there on in.

I haven’t seen a more egregious example of the Thing since re-reading Louise Lawrence’s Chronicles of Llandor. I loved those books as a kid. There are some books that give more with age, but those books unfortunately only gave annoyance. You knew a character was bad simply because they advocated eating meat. And you knew when a ‘good’ character was going to the bad because they would start to think eating meat wasn’t quite so bad, or that perhaps killing an enemy who was trying kill their friends wasn’t so bad.

It wasn’t so much a case of politics being included in the storyline so much as a bit of story being included in the politics. And, just as with the first book I mentioned, it was being used as a shorthand form of characterisation.

I’m not a person who thinks politics and religion and Stuff That Matters should be kept out of books. My own books are hardly free from threads and themes (though not overt ones) that tie directly back to my heritage and growth as a Christian. Of course, the odds are, if you have a differing political/religious/Thing opinion than me, I will enjoy your books less–especially if you choose to use your books to low-key preach at me. It will not, however, stop me reading your books.

What will stop me reading your books is the use of political/religious/Thing as character development or characterisation. If your character is a bad guy just because he supports Trump/supports free immigration/opposes abortion/supports gay marriage/whatever, or if you use any of these as shorthand for what a horrible person s/he is, I will stop reading. Because that’s not characterisation. That’s laziness.

Also, newsflash: people aren’t the sum of their opinions. People are a mix of good and bad, and just because someone supports the death penalty, it doesn’t mean they’re out murdering puppies in the street. Characterisation means drawing people who have a mix of good and bad in them: things they struggle with, stupid ideas they support until they know better/because they’re too stubborn to change.

Characterisation is one of the most amazing things about Lloyd Alexander’s The Kestrel. (It’s the 2nd book in the Westmark trilogy–yes, I read it first, I’m an idiot; no, I haven’t read the 1st or 3rd yet, I’m not yet ready for the emotional damage that I know is coming). The characters, each on their side of the war–at times uneasy allies, at times enemies, at all times spectacularly human–are all such a mix of good and bad. The good make bad decisions, do wrong things, experience the fallout of their wrong decisions. The bad have both good and bad parts: their opinions are sometimes morally evil and sometimes morally good. Not all the bad guys believe the same thing. The good guys aren’t all united under the same umbrella. They each have their own motivations, and it is, in the end, their actions that define how they are seen.

Please. Please. Authors. Don’t do the Thing. The Thing is lazy. It’s irritating. It’s Bad Writing.

It needs to die.

Leading Ladies of Fantasy Storybundle

THE LEADING LADIES FANTASY BUNDLE

storybundle-covers

The Leading Ladies Fantasy Bundle – Curated by Charlotte E. English

You know how it goes. There’s one female character in the book, and she’s someone’s love interest. She’s given little to do and less to wear. She has no good lines, and nothing to contribute save her helplessness.

These are not those stories.

This year, I wanted to champion the kind of great, riveting fantasy which doesn’t sideline the ladies. Happily, indie fantasy has absolutely masses to offer. I’ve assembled some of my favourite books by some of my favourite authors, every one of which offers somebody memorable, vivid and real to spend time with.

In these tales of derring-do, the ladies have stepped firmly out of the background. Not every story is female-led, though many are. In some of these books, they’re taking centre stage and rocking it. In others, it’s a supporting cast of women that shines.

I have for you an aristocratic amateur sleuth and a wayward forest witch from W. R. Gingell; a top mathematician and codebreaker from Lindsay Buroker; and from Joseph Robert Lewis and J. Zachary Pike, elf ladies as we’ve never seen them before. There’s a cursed princess from Annie Bellet, a brilliant scholarly mage from Rachel Cotterill, and a cast of wizards, necromancers and dragons from Joseph Lallo. And from me, there’s a predominantly female team of wily masqueraders with a grand mystery to solve.

These books cover a range of fantasy sub-genres, from comic to epic to romantic to adventure fantasy. They’ll take you to diverse fantasy worlds, and show you how spectacular leading ladies can be. – Charlotte E. English

The initial titles in the Leading Ladies Fantasy Bundle (minimum $5 to purchase) are:

  • Elf Saga – Doomsday (Omnibus Edition) by Joseph Robert Lewis
  • The D’Karon Apprentice by Joseph R. Lallo
  • Watersmeet by Rachel Cotterill
  • Masque by W.R. Gingell
  • Encrypted – Forgotten Ages Book 1 by Lindsay Buroker

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus five more!

  • Orconomics by J. Zachary Pike
  • Seven Dreams by Charlotte E. English
  • Gryphonpike Chronicles Volume 1: The Barrows by Annie Bellet
  • Wolfskin by W.R. Gingell
  • Decrypted – Forgotten Ages Book 2 by Lindsay Buroker

And as a special bonus for our newsletter subscribers, we’re giving away a free copy of Jo Lallo’s The Book of Deacon Anthology, which includes the entire Book of Deacon trilogy as well as Jade, a short novel set after the events of The Book of Deacon, The Rise of the Red Shadow, a prequel to the trilogy, and more! Did we mention that it’s free?

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to Mighty Writers and Girls Write Now!
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook.

The Crooked Path by Harriet Goodchild: Mini-Review & Author Interview

Today I’m wishing a very Happy Publication Week to Harriet Goodchild, whose gorgeously poetic The Crooked Path is out this week! I’ve previously read and greatly enjoyed two of Harriet’s short story compilations, so when I was given the opportunity to snag an ARC of The Crooked Path, of course I jumped at it.

Harriet was also kind enough to join me today for a mini-interview, during which we discuss the links between poetry/folksong and writing, given the highly poetic feel of The Crooked Path. Keep scrolling for blurb, mini-review, and interview!

The Book

crooked_path-web_res

Stories link together. What is done in one time and place spreads out across the world to shape the future: there is never a single beginning, never a simple end.

But, since this tale must have a beginning, let it be when a potter carves a creature from dreams and driftwood.

It carries him to a place where fair faces conceal foul intent, where two kings guard the firstborn tree by night and day, where only a living man’s love can undo a dead man’s hatred.

And where, if he does not go carefully, the choices made in other times and places will cost him his life.

My Mini-Review

As previously mentioned, I’ve already read some of Harriet’s work. Those were all short stories, however; and as much as I enjoyed them (and I really did, despite the fact that some of the themes were not ones I would normally choose to read), The Crooked Path is by far and away my favourite. There are hints and references to the short stories in there, too, so it’s good to read each of them.

Firstly, the feel of it was incredibly evocative. It took me right back to the wonder and excitement with which I used to read The Adventures of Sinbad the Sailor, with its amazing illustrations and magical adventures, and The Thousand and One Nights, with its alien culture and dark outcomes.

The prose itself was nothing short of gorgeous, as expected. Harriet has only grown as a writer since I read her short stories: she is one of the writers whose work constantly leaves me acutely aware of my own lack of finesse as a writer. Poetic, but spare; not a word wasted or out of place. And every spare, perfectly balanced sentence creates another layer in the dream that is The Crooked Path.

The story? Complex but simple. It’s the faery story of the girl who betrayed her faery lover, and must go through many trials and troubles to gain him back; but yet it’s more. There is an entirely loveable male MC who is satisfying to follow along on his adventures; by turns sensible and rash, and honestly ordinary in a perilously other world. Then there’s the dark female MC who is far from perfect and knows it. Oh, I loved the melody of this book; and I felt the harmony of it deep in my bones.

The conclusion: 5 out of 5 stars. I expected it to be wonderful, but it was even better than that.

The Interview

Harriet, when did you know for certain that you wanted to be a writer?

I was on holiday…

Actually, it wasn’t so much wanting as wondering whether I could write a novel rather than a paper. Scientific prose has to be concise, clear and grounded in what actually happened; it doesn’t lend itself to flights of fancy. Eventually, that holiday, I decided to stop wondering and started scribbling in my spare time. Gradually it got better and eventually it got to the point where I felt confident enough to share it.

Oh, that is not the answer I expected from someone whose writing is so poetical! There’s certainly a clarity of language to your books, but it’s entirely evocative. Speaking of poetry, how does your love of folksong and poetry play into your writing?

The folksongs give a mood, a dominant note for a character, perhaps, or an image to play with in the text. There’s also something of the pattern of folksongs in the way I structure the prose, the use of repetition and rhythm for effect, for instance, or the way one scene echoes another. Some songs have inspired stories, though the finished tale may lie anywhere along the line from a direct retelling to a mere nod in the direction of the original. Each chapter in my books and each short story has a verse from a folksong as an epigraph. Something from that song will be reflected in the following text, and all the songs together could be used as a playlist: consider it a type of cross-form intertextuality.

The poetry is more of an ideal. In poetry, there’s no space for sloppiness of thought: every word must count and every word must fit. One can say the same of prose, of course, but the elision and compression of poetry gives it an intensity and a heightened awareness of the world that prose rarely achieves. There are a few poets – Kathleen Raine and Robert Graves first among them – whose work I consider a touchstone for perfection. Raine’s work is suffused with landscape; reading it one sees the places as vividly as in a photograph and when I was living outside of Scotland I’d read them and wallow a little in homesickness. Graves is, I think, the finest lyric poet of the twentieth century. So much is captured in so little. It was, however, another poet, Michael Roberts, whose The Images of Death supplied the theme for The Crooked Path.

Do you play an instrument/s? If so, what? If not, what instrument would you most like to know how to play?

Alas, I don’t. I had years of piano lessons as a girl but made very little progress. The fine motor coordination it requires is beyond me. If I could play an instrument then it would be the fiddle. And if I could play one half as well as Aidan O’Rourke or Duncan Chisholm I would think I played it well indeed.

Yes. Fiddle is the best (I play the violin, but this conclusion should be considered in no way biased…) Music is a huge part of my writing, whether listening to it while I write or daydreaming along to it and sparking ideas. Music or no music for you when writing?

It depends. I used to listen to music as I wrote – folk music, of course, but also classical; Bach’s violin concertos and Vaughan Williams’ A Sea Symphony were especially important when I was writing The Crooked Path. These days I tend to write in silence. If I’m editing a scene, though, I might have a particular song on repeat to help create the mood I need. Antisocial, I know. Fortunately I can put on headphones to avoid driving those around me to distraction. Right now, that song is John Doyle’s Farewell to All That. As its name suggests, it’s inspired by Robert Graves’ biography. It seems apposite.

Ah. I, too, love to isolate myself in my headphones when I can’t listen to music aloud. If we choose to call it ‘creative’ instead of ‘antisocial’, who’s to know the difference? *nodnod* A typical writing day will be kickstarted by any one of my favourite writing playlists. For you, what is a typical writing day like?

I write fiction round the edges of the rest of my life, fitting it in where and when I can. As such, there isn’t really a typical day. If I’m lucky, I’ll get an hour or two in the evenings. Sometimes I can write a lot in that time but it’s usually only a few hundred words – I write very, very slowly, rewriting and backtracking as I find my way through the story.

Making the adjustment from being an unpublished novelist to being published has been difficult and, lately, I’ve been struggling with writer’s block. The Crooked Path was more or less complete by the time After the Ruin was published but right now I’m revising the final book in that series. Writing it was very, very hard. I ended up forcing it out, like toothpaste from an all but empty tube, gritting my teeth in face of the self-doubt that comes with writer’s block. I’m past the worst by now and thanks to a few months distance, and a couple of good readers, I can see how to revise it but it’s going to take a long, long time to see the light of day. The up side of taking the time off from writing is that I could read a lot. Reading is as important as writing as it enables one to look out rather than in.

Harriet, thanks for joining me today, and happy publication week!

You can find Harriet’s books on Amazon UK/Amazon US, and Barnes & Noble. Harriet herself, you can find on Twitter and her website. And you can get your copy of The Crooked Path by clicking on any of the links above.

Happy reading, people!

Book Launch: The Illuminator Rising by Alina Sayre

Guys, today I have the pleasure of introducing you to Alina Sayre, author of The Voyages of the Legend Series!

 

The third book in the series, The Illuminator Rising, was launched last week (for a short review of the first book on the Bookwyrms Pinterest Board, click here!) and is already receiving great reviews.
 
 
Alina is joining me for a guest post today, but don’t go away after that, because below that will be further info on The Illuminator Rising and a sight of the truly GORGEOUS cover!

Five Tips to Jumpstart Your Creativity

with Alina Sayre

When I tell people I’m an author, they often sigh and say something like, “I wish I were that creative.” I do think of myself as a creative person, but I also think everybody has a creative side—it’s not a special gift awarded only to a select few. Wherever you are in your creative journey, though, creativity has to be nurtured. Especially with a long project like a book—my latest novel, The Illuminator Rising, clocked in around 76,000 words!—it takes careful habits to cultivate a well of creativity that regenerates every day. Here are some of my favorite tips for jumpstarting your creativity.

1: Get enough sleep. Nothing good ever happens in my life without enough sleep. Including writing. It may seem counterintuitive, but I will actually get more writing done in less time if I sleep that extra hour. Really. Sleeping in is productive. (Okay, sometimes.)

2: Walk outside. Sometimes when I’m in a really intense writing phase, I feel like I’m living in a cave.  Even a short walk outside totally reorients my perspective. The exercise, the fresh air, the beauty of nature—they all combine to give me not only less anxiety, but more good ideas. At any rate, it’s a way more productive and refreshing break than wasting ten minutes on Facebook.

3: Read. Some authors are afraid of reading because they’re afraid it will subconsciously lead them to plagiarism. That can be OK, especially with books in your genre. But at the same time, reading widely can help you cultivate a rich and diverse mental landscape. Obviously you don’t want to steal the words or ideas you read in other people’s books! But sometimes just immersing yourself in the language and imaginative richness of another person’s story can inspire your own brain to generate more creative ideas.

4: Work in the same room with someone else who’s being creative. Doesn’t matter if they’re working on the same project, or even if you know them. When my writing stagnates, sometimes I get together with a group of creative friends and we all work silently around a table (taking breaks to crack geeky jokes, of course). Sometimes I head to a local coffee shop and get motivated by all those productive-looking people hammering away at their keyboards (the caffeine also helps). Maybe it’s the shame factor, or the inspiration molecules bouncing off other bodies (don’t trust me with your science class), but for some reason it works.

5: Change places. I feel like each physical location only has so much creative “juice” in it. I can write like mad at my desk for two days, then sit down the next morning only to stare blankly at the screen. Or just loathe the thought of plunking down in that chair one more time. So I switch places: the couch, my bedroom, the floor, a coffee shop. Gardeners rotate crops in their soil; why not change places to stimulate more creativity in your life?

I hope these tips help you cultivate your creativity, in whatever form it takes. The world needs to see what only you can make. Unleash your inner genius!

 

And now for the gorgeous cover of The Illuminator Rising!

Book 3 ebook cover, Amazon, medium res

Synopsis of The Illuminator Rising, Book 3 of The Voyages of the Legend:

 

Driven from their home island of Rhynlyr, Ellie and her friends must solve a riddle to find the survivors of the Vestigia Roi. But instead of a safe haven, they discover a hopeless band of refugees paralyzed by fear. Strengthened by new allies and new gifts, the crew of the Legend faces dangers like never before. Can they escape being shot out of the sky, falling over the Edge of the world, or being engulfed by urken armies long enough to rally the Vestigia Roi? And can they rekindle a fire from the ashes of the One Kingdom before Draaken takes over the world? 

 

Advance praise: 

“…a thrilling read…[Sayre] has a flair for being able to capture the interest of a reader and hold onto it.” 
-Readers’ Favorite, 5-star review

About the Author:

Alina Sayre

Alina Sayre began her literary career chewing on board books and has been in love with words ever since. Now she gets to work with them every day as an author, educator, editor, and speaker. Her first novel, The Illuminator’s Gift, won a silver medal in the Moonbeam Children’s Book Awards, and all three books in The Voyages of the Legend series have received 5-star reviews from Readers’ Favorite. When she’s not writing, Alina enjoys hiking, crazy socks, and reading under blankets. She does not enjoy algebra or wasabi. When she grows up, she would like to live in a castle with a large library.

 

Links: 

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