10 Things I Love About KDrama (Part Two)

And now for Part Two of 10 Things I Love About KDrama!

Wherein I consider the last 5 things that I love about KDrama….

Character Redemption (aka, Bad Guys are People Too)

There’s not much I hate worse than watching a movie or T.V. series with a villain who’s evil Just Because They’re Evil. Unfortunately, it’s something I come across horribly, horribly often. This is partly because I watch a lot of older T.V., and character writing has evolved a lot over the years, but it’s by no means a bygone phenomenon. It’s still something that continues to annoy me in modern T.V.

KDrama has some seriously evil characters, from the absolutely terrifying schoolgirl bullies who rule the school to the murderous gangster bosses who beat people to death with golf clubs in the comfort of their own homes. Some of them are laughably evil, but the vast majority I’ve seen now have been nuanced, complete characters in their own right.

Not only have they been nuanced, but in a few cases, they have almost overshadowed the main leads in complexity. This is because in KDrama, there is a very good chance that the villain can be redeemed. There are points in the narrative at which the villain is faced with two courses of action: the right, and the wrong. They way he/she reacts to that choice begins to determine the possibility of their redemption, and their path begins either to slowly slide toward the irredeemable or to climb painfully toward a new life.

In KDrama, you can never be certain that your main villain will not change completely–just like a regular person. Not only is this spectacularly good writing, it adds an extra dimension to the entire story. Not every villain is redeemed, but every villain has at least one chance to do so. The mindset this displays is delightful. Redemption as a theme is a very precious one to me, and to see it in T.V. series (and used in such a general way) is a huge breath of fresh air.

Here are a couple of the most poignant villains I’ve come across in KDrama so far:

Lee Joon-Hee (Falling for Innocence) Is he a murderer, or isn't he? Either way, he's a fully 3-dimensional character that you can't help caring for or relating to. A beautiful, driven individual with a hidden dark side that begins to emerge slowly but surely, Joon-Hee is a character I was thinking about for weeks after I watched Falling For Innocence.

Lee Joon-Hee (Falling for Innocence) Is he a murderer, or isn’t he? Either way, he’s a fully 3-dimensional character that you can’t help caring for or relating to. A beautiful, driven individual with a hidden dark side that begins to emerge slowly but surely, Joon-Hee is a character I was thinking about for weeks after I watched Falling For Innocence.

Kwan Soo-Ah (Sassy Go Go) Will she continue in her venomous ways, poisoned irretrievably by her mother and her own desires, or will she seize onto the tiny, budding sprays of right that have sprouted in her heart and cling to them? Her mother has taken care of her grades and hidden her wrongdoing, but what about Soo-Ah's soul?

Kwan Soo-Ah (Sassy Go Go) Will she continue in her venomous ways, poisoned irretrievably by her mother and her own desires, or will she seize onto the tiny, budding sprays of right that have sprouted in her heart and cling to them? Her mother has taken care of her grades and hidden her wrongdoing, but what about Soo-Ah’s soul?

2nd Boys

This is another item that is on both my Hate and Love list. It leads on a bit from Character Redemption, and has a lot to do with how well (or how badly) characters in a show are written. However, it also seems to be a thing done very well as a whole in KDrama. I get rather tired of badly drawn love triangles in fiction (I actually don’t care much for the love triangle as a form of story anyway, but when well done I can quite enjoy it) and it’s refreshing to see it done right.

In too many movies and series that I’ve seen, the main female lead falls for the main male lead, with a side love interest who is either never well developed, or there only so the main male lead can be jealous and/or warn her about the side love interest’s bad motives. More annoyingly, when it’s the latter, this side love interest almost always turns out to be a bad guy.

Seriously, though, what the heck is wrong with having a side love interest who is actually good and nice? He shouldn’t be there simply to excite the main male lead’s jealousy and then be dismissed with the easy excuse that he was a bad guy all along. Sometimes good guys lose out, too. (Ironically, this is also a thing I will discuss in my two part post on the 10 Things I Hate About KDrama). There is absolutely no excuse to skimp on character building simply because the 2nd boy doesn’t get the girl.


There is absolutely no excuse to skimp on character building simply because the 2nd boy doesn’t get the girl. The best execution of this rule that I’ve yet seen is from Who Are You? where my favourite character, a crazy, delightful little boy called Tae-Gwang, doesn’t get the girl, but gets a lot more from his storyline. He’s a character who grows and matures and learns to connect with the world despite the fact that he hasn’t been lucky in love (and the more important fact that his father has shut him up in a mental ward). He actually stole the show from the main male lead, leading me to wonder exactly how he didn’t get the girl (apart from a complete lack of mental capacity on the part of the girl). But his journey is more important than his love life, and that really comes out.

I seriously love KDrama’s secondary love interests (aka, 2nd boys). In fact, I usually prefer the 2nd boys to the main love interests. This is because 2nd boys are, as a general rule, kind, thoughtful, and very beautiful–while main male lead are crazy, annoying, and almost always arrogant (which, while making a hilarious and fun character, would be no fun at all to live with in real life).

Anthony Trollope-esque Politics (whether School or Company Politics, oh my! So many political storylines)

Can you believe that I’d never heard of spec-stacking before? That could be because I’m not actually that academically gifted and also because we could never afford to go to college anyway, but seriously. The political underworld of KDrama’s schools is vast and intricately twined.

Of course, you’ve already heard me rave about Falling for Innocence, which has such a complicated, over-arching theme of business machinations and by-plays along with its murder, medical, and romance plot-lines.

If a T.V. series or movie is well-written, it will have those sorts of things in it, anyway. But there seems to be a definite focus on twisty plots in KDrama, and as a lover of Anthony Trollope, those twisty plot-lines make my little heart sing for joy.


This is another character thing (which will not surprise anyone who knows my obsession with Character in Story). Facilitators are rarely seen in the wild in Western films, which makes me sad because I flamin’ love Facilitators. One of the first MCs I ever wrote was a Facilitator.

The Facilitator sees things from the outside, whether from boredom, superior intellect, or just plain crazy. He (and in rare cases, she) will cultivate characters and plot-lines sometimes to a point that almost-but-not-quite breaks the fourth wall (see especially Jin-Rak in Flower Boys Next Door). Facilitators almost always end up getting sucked into the story they’re trying to direct, and/or falling in love with the girl they were helping out.

Five of my favourite Facilitators to date (in order of most to least favourite):

Shinwoo from He's Beautiful. My all-time fave Facilitator and 2nd boy

Shin-Woo from He’s Beautiful. Bored and mischievous and unaware of how badly he’s about to fall, Shin-Woo is my all-time fave Facilitator and 2nd boy. Shin-Woo is kind, thoughtful, and patient, with a deeply mischievous sense of humour and a love for playing games with the people around him. When he begins to know what he wants, it’s an amusing surprise to him. This 2nd boy dug a hole in my heart with the way he brought the heroine tea and selflessly cared for her behind the scenes. Tea. He brought her tea. How could I not love this one?

Kkae-Geum. Again, from Flower Boys Next Door (can you tell I loved it??) This guy is hilarious and sweet and just plain lovable. Actually, he should be my top favourite, but isn't for these two reasons: 1.) 2nd Boy Syndrome, and 2.) Wounded Seagull Syndrome. Clear as mud? Don't worry, I'll explain it later.

Kkae-Geum/Enrique from Flower Boys Next Door.
This guy is hilarious and sweet and just plain lovable. He is REMARKABLY unsquashable. Actually, he should be my top favourite, but Shin-Woo still wins for these two reasons: 1.) 2nd Boy Syndrome, and 2.) Wounded Seagull Syndrome. Clear as mud? Don’t worry, I’ll explain it in my next two-parter blog post.

Jin-Rak from Flower Boys Next Door. This Facilitator takes the back of a hammer to the fourth wall in the most delightful way possible. Again, a 2nd boy, but he didn't break my heart 'cos I was too busy laughing at him and his saggy pants.

Jin-Rak. Again, from Flower Boys Next Door (can you tell I loved it??)  Okay, he’s technically not really a Facilitator, since he doesn’t ever exactly facilitate: but his outlook and his presence in this series is that of the outsider. He never even quite feels as if he’s a part of the story proper. I love that! So. Jin-Rak. This Facilitator takes the back of a hammer to the fourth wall in the most delightful way possible. Again, a 2nd boy, but he didn’t break my heart ‘cos I was too busy laughing at him and his saggy pants. Also, he’s a writer, so what’s not to like about this guy? Constantly delightful.

Shin-Hyuk from She Was Pretty. This guy is just flamin' HILARIOUS.

Shin-Hyuk from She Was Pretty. I didn’t love She Was Pretty (spent too long wanting to grab the male lead by his hair and bash his face into the desk) but this guy is just flamin’ HILARIOUS. Pretty much every scene with him is a riot, especially the one where he realises that he’s crushing on a certain someone, because Shin-Hyuk does seem to know his place as a Facilitator and to be quite comfortable in the role. It’s really, REALLY hard not to laugh until you cry when you see him chasing his uptight boss and yelling about underwear every time he sees him…

Nebi (or Navi) from Love Cells. The only female Facilitator I've seen (thus far). Her character--and in fact, the whole execution--of the Love Cells series, was not what I expect. It was so much better. She's fun, and funky, and mischievous.

Nebi (or Navi) from Love Cells. The only female Facilitator I’ve seen (thus far) in KDrama. Her character–and in fact, the whole execution–of the Love Cells series, was not what I expected. It was so much better. Both Love Cells and Nebi are fun, funky, and mischievous, with an unexpected dose of heart.


In far too many Western films and T.V. series, when there’s an MC, that’s it. You’ll get bits and pieces of friendship, but there’s not usually a light shone on that unless the whole film is about friendship (which is also reasonably rare). I love the fact that in KDrama, there are WHOLE PLOTLINES about the friendship between two guys (again, Flower Boys Next Door, Sassy Go Go), or two girls (Who Are You?), or a whole group (Sassy Go Go, I’m lookin’ at you). It’s not just about the romance. And yeah, it’s got to do with what’s good writing and what’s not–for instance, there are some VERY badly written KDramas out there, too–but as a whole, friendship seems to be much better explored. I love that. I especially love it when it’s a male/female friendship that doesn’t turn into a love triangle.

Favourite Friendship Pairings:

Kim Yeol and Ha Joon

Kim Yeol and Ha-Joon from Sassy Go Go. You’ll notice a lot of friendship pairings from Sassy Go Go, and this is because Sassy Go Go is brilliant. Ah! These two guys! Their friendship is a breath of fresh air, and a proper thread that runs through this series rather than being simply a thing that’s there in the background. It’s important, and it underpins many parts of the plot.

Yeon Doo and Dong Jae

Yeon-Doo and Dong-Jae from Sassy Go Go. I LOVE THESE GUYS! Dong-Jae has a physical disability where he can’t be touched without going into an almost catatonic state. It’s so delightful to see the way they interact. He always brings her strawberry milk. When she wants to show affection she plays with the zippers on his sleeves and the loose folds of his clothes. It has all the emotional impact of a hug. And guys, they don’t try to turn it into a love triangle! *Happy sigh*

Sassy Go Go Friends

ALL OF THEM. THE WHOLE GROUP FROM SASSY GO GO. These guys make me dance in delight. You watch them fight and grow through the whole series until they’re one cohesive whole, held together at first by Kang Yeon-Doo (and then by their genuine affection for each other). This group makes me very happy.

Jin Rak and Co

Jin-Rak and Dong-Hoon. These guys were SO MUCH FUN. Their friendship is a huge part of Flower Boys Next Door, a delightful and tender growth that ebbs and flows, but most importantly, grows, throughout the entire series. Their misunderstandings and temper tantrums had me continually laughing.

I have so much more I could say, and so many more favourites, but this blog post has already assumed a ridiculous length, so I’m off again to WATCH ALL THE THINGS. And maybe write a little bit…




Did you guys know that printed books should always be odd-numbered on the right page? Or that text should be right and left justified? Or, for a matter of fact, that when you shorten the front of a word with an apostrophe (ex. ‘leave ’em alone’) that the apostrophe must face the same way as one that shortens the end of a word (ex. ‘doin’ what comes naturally’).

I didn’t until I started self-publishing. Got any idea how long it takes to go over 300-odd pages of text, looking at every flamin’ apostrophe? Oh yeah, and MS Word just puts ’em through as regular apostrophes. You gotta think about every shortened word as you type it. (Well, there’s probably a function I can turn on somewhere in the recesses of the program, but beggared if I know where it is.)

Also on today’s housekeeping: both Masque and A Time-Traveller’s Best Friend: Volume One are on a Goodreads giveaway at the moment, until about mid-April. I’ve got three signed copies of each to give away, so if you’re interested, click through the link on either above, and enter to win. A handy little feature of Goodreads that I found out about just a few days ago, and that I’m very happy to make use of!

And as I announced on my Facebook and Twitter pages, Wolfskin is at present being sent out to bloggers and reviewers. If you’re interested in getting a free copy (either ecopy or paperback) for the purposes of a review, contact me at gingellwrites [AT] gmail.com, through the comment section, or from the form on my Contact page.

Fourthly and lastly, I’ve been bingewatching On The Up with the wonderful Dennis Waterman, delightful Sam Kelly, inimitable Joan Sims, and pot-stirring Jenna Russell. SO MUCH FUN. So many glorious one-liners. And I’m completely in love with the ending.

Well, that and the equally wonderful live-action version of Black Butler. I’ve watched it three times now. It’s become one of my all-time favourites along with Alice (mini-series version with Andrew-Lee Potts), The Fall (Lee Pace), and City of the Lost Children (Ron Perlman).

Seriously. Watch any of these.

Over and out.

(What? You didn’t think my housekeeping would include actual work, did you? Well, apart from all the apostrophes.)

Musings: On Hannibal The Cannibal

Okay, so first things first. When I talk about Hannibal I mean the TV and Movie Hannibal. I haven’t read the books. That said, proceed!

hannibal lecter

I’ve watched a few of the Hannibal movies (Silence of the Lambs, Red Dragon, and Hannibal) and I’m now in the process of watching the second season of TV Hannibal, which is slightly different again but just as compelling. (Also it’s fun to listen to hubby retching when he comes in sight of the tv screen for a particularly gruesome murder.)

The murders are one and all excessively gruesome and sometimes beautiful in that gruesomeness (for example, the guy with a tree wrapped around his legs, his arms in its cherry-blossom’d branches and glorious flowers blossoming from his split torso). They’re also almost completely unbelievable. I mean, seriously, what murderer has the uninterrupted time to set up a guy in a tree in a parking lot without being noticed? Or slice a girl into slides and arrange the slides so beautifully that it’s like looking at one of those books with the plastic slides of musculature? Not to mention the cops should have a field day with stuff as easy to find out as who purchased eight-odd MASSIVE FREAKING SLIDES OF GLASS.

That’s another story, though, and for the most part I suspend disbelief and just go along with it. The question that occurred to me the other night is, why do I go along with it? Why am I watching this show? Why am I even half cheering for this guy?

To recap:

  1. The bloke eats people. Yanno? He actually slices pieces of flesh and bone (though mostly, it seems, the soft organs like kidneys and brains and tongues) and cooks and eats them. That’s not okay. That’s gross and disturbing and completely alien to any right-thinking person.

  2. He murders on a whim. If he thinks someone is being rude, whether to himself or some other societal more he considers important, wham! That person is liable to end up dead, with missing body parts. That goes for any musician unlucky enough to disturb Hannibal’s enjoyment of a concert by playing a wrong note. I can only imagine what he’d do to someone whose mobile phone went off in the middle of said concert.

  3. He’s been known to wear people’s faces. Seriously. Like, tearing off a dude’s face and wearing it to escape (if you want to know how that happens, watch the movie yourself). And he tends to disemboweling and other gross stuff like that. He seems to prefer his victims alive, too. That is also not okay.

There’s more, but those are the main things. This guy is a predator; a terrifying, alien, other predator with no normal human morals or perceivable conscience.

So, the question remains: Why is he so compelling?

And I can’t deny that he is compelling, because despite the extreme violence in the movies/tv show, and the (for me) more than usually allowable bad language, I found it hard to stop watching. Why is that? Since the moment I watched The Silence of the Lambs and Hannibal (my favourite of the movies, if ‘favourite’ is quite the word to use) I’ve puzzled to myself about why I find Hannibal so compelling. Watching the second season of the TV show Hannibal got me wondering again.

This morning, in the middle of my devotions, cuddling my cup of tea, I got it.

There’s a catechism/truth/principal that is used in the Presbyterian church I go to, and in some of the older protestant books that I read. It goes something like: ‘The value of a soul depends upon the object of its affections’. It’s used in relation to God and His loving of His own Self: ie, that His soul/person is of infinite value and worth because the object of His affections (Himself) is utterly beautiful, perfect, right, just, and unchanging. His affections are set on what is most right and beautiful. In that sense, God defines Himself. It’s also used with regards to Christians. We’re ultimately beautiful when we love that which is beautiful- in this case, God. Our worth is dependent upon appreciating and finding beautiful the things that are beautiful and ought to be appreciated. If we love wrong things and see them as beautiful instead, our soul is corrupted.

To tie this in, consider Hannibal’s main relationships. In the movies, it’s mainly Clarice Starling: an upright, righteous, and morally straight FBI Agent. There’s the sense that she’s a good copper, but the main idea that I personally got from their interactions on screen was her unwavering sense of right. She was morally upright.

In the TV series there is Will Graham. Now, as the series proceeds, he gets darker. But the thing about Will that I most appreciate is that he sees the darkness in the world and potentially in himself, and he hates it. Even the wrong things he does are motivated by a sense of right. He is terrified of the darkness, and yet he keeps fighting it in the world and in himself.

And these two people, in one way or another, Hannibal loves. He loves them fiercely, terrifyingly, and in some cases, almost entirely selflessly. It’s an alien and unfathomable emotion in him. He sees the uprightness in them and he loves them for it. He knows that if he gets too close he’ll be burned, but he can’t seem to help himself. He’s drawn to them.

And that, right there, is what makes Hannibal such a compelling character. In his otherness and alienness, he is terrifying. But in his love of these two people (and seemingly only these two people) with their uprightness and unwavering determination to do what is right at all times, there is something oddly good and worthwhile.

So while the violence turns my stomach at times, and I fully recognise that Hannibal needs to be shot quickly and efficiently, I can’t help but find him compelling still.

Mads Mikkelson as Hannibal Lecter

Mads Mikkelson as Hannibal Lecter

Strong Female Leads

I’m very definite about what I like in characters. I will very often put down a book without reading all the way through if I don’t like the main character/s, and I’ve been known to verbally remonstrate with TV characters who are doing stupid things. This holds true for all characters, but is more stringently applied to female lead characters I read/watch (mostly because I’m female and dislike seeing females made ridiculous without good reason. Men can mostly be as ridiculous as they like without upsetting me unduly).

If the female lead is, for example: a) Always relying upon the hero to save her, b) Always belittling/snarking at the hero, c) Making stupid decisions because the book/movie needs it for angst/danger, d) Always having sex because she’s a strong female lead who don’t need no man/rules/standards ETC, ETC, ETC-


(Actually, I won’t: I’ll probably just make a face and donate it to the op-shop/bin/a friend. But still. Ya get me. If I get really hot under the collar, I’ll compose snarky reviews in my head that will never see the light of a computer.)

There’s a lot of angst about Strong Female Leads. Someone is always trying to make sure that movies have enough Strong Female Leads, or that a book has a Strong Female Lead. It’s one of those things that you’re forever hearing about on the ‘net. I mean forever. There are tantrums and jumpings up and down, and accusations of misogyny etc, clouding the air and making things generally difficult to see.

I’ll admit, I used to roll my eyes about it a lot. (Actually, I still do at some of the more tantrum-like outbursts.) And then, the matter having been brought to my attention, I started noticing stuff.

It was most often in movies. (Books have weak, annoying, and/or stereotypical female leads, but they have an equal amount of weak, annoying and/or stereotypical male leads.) I’d be watching a movie, enjoying it more or less depending upon which one it was, and then BAM- there was a female lead wearing next to nothing. FOR NO REASON. Cos, trust me, if you’re a ninja/knight/samurai/whatever, you’re gonna want as much body surface covered. The male counterpart would be fully clothed. And then the female lead would fall/trip/get bashed and have to be rescued by one of the blokes for the seemingly sole purpose of being clutched to the well muscled chest of whichever one happened to save her.

So basically, the female lead was there for looks, and for the rush that the male ego gets for having saved a damsel in distress. Now, don’t get me wrong, there’s absolutely nothing wrong with a female in a movie/book having to be rescued. But when it’s already established that she’s apparently the best/strongest/fastest, it’s really annoying to find that she has to be saved by the male of the piece simply because she’s female.

That’s not cool. It’s not cool to see female characters used in tv shows/movies simply for the purpose of eye candy. It’s not cool to see them always berating and/or sleeping with the male counterpart simply to prove that they’re a strong female lead who don’t need no man. C’mmon dudes, there has to be some middle ground here. And it’d be kinda nice to see female action figures, too (I’m looking at you Avengers. Yanno, while I’m on the subject).

It’d just be nice to see more interesting, reasonable females (action movies, I’m looking at you) who have their own stories and react to events/people/etc on their own terms and not merely with relation to the storyline of the main male character. I love action movies, but they’re the ones most guilty of female stereotyping (yeah, Taken.  I love you, but Liam Neeson’s wife needed to be murdered a lot sooner).

That’s all. That’s all I’m asking.

The Secret Life Of Walter Mitty

I saw Walter Mitty first when he was the golden-haired Danny Kaye. He won my heart with his over-the-top imagination (‘A mere scratch, sir, a mere scratch! Set the bone myself!’) and his typically Danny Kaye comedy routines. Virginia Mayo plays his sometimes exasperated but always fond love interest, who is responsible for getting him into trouble to start with and who accompanies him to the bitter end.

Danny Kaye Walter Mitty


In this particular version are murder! mayhem! and spies! Because, yanno- murder, mayhem, spies! There’s the dead body in the car. There’s the little black book with Secret Information. There’s the overbearing mother that Walter lives with. There’s the dotty girlfriend. And of course, there are the men who are trying to kill Walter. It doesn’t take long for Walter to realise that as much as he loves daydreaming about adventure, the real thing is entirely terrifying.

What I loved about this version:

  1. The screwball comedy. Some of the best of the 40s.

  2. Danny Kaye’s comedy routines, worked brilliantly into his everyday life, and his larger-than-life daydreams.

  3. The hopeful, thoughtful outlook of the entire film.

  4. The fantastic wackiness to it all. And Virginia Mayo so calm and sedate through the madness, trotting in on her elegant high-heels to rescue Danny and push him on again.


I was understandably nervous when the new Secret Life of Walter Mitty was announced. I loved the old version so much that I couldn’t see the new one even coming close to being as good. I thought it might be passable, and decided to give it a go.

In the new version, Walter is a Negative Asset handler for Life! magazine. His job is in jeopardy as Life! magazine goes through the transition from physical to digital, downsizing its human resources as it does so. His new boss treats him with scorn and extreme disrespect, he’s in love with the new girl, Cheryl (who doesn’t seem to know he exists), and his dating profile on e-harmony (set up for the express purpose of ‘meeting’ Cheryl) is plain boring, because he’s never been anywhere/done anything interesting. Instead, Walter day-dreams in gorgeous HD.

In this particular version there are no spies or jewels or black books. Instead, there is a missing negative, the quintessential expression of Life! magazine that is meant to star on the cover of the very last issue. And to find this missing negative, Walter has to track down the photographer who took it, using only a series of moderately unhelpful surrounding negatives. The search for Sean O’Connell, who seems everything that Walter would love to be (adventurous, physically able, rakish, and casually cosmopolitan) occupies a large part of this movie. Walter is pushed out of his comfort zone, encouraged by Cheryl (in daydreams as well as in real life) to keep searching and leaping into the unknown, and finds himself stronger and wilder than he ever believed possible.

Things I loved about this version:

  1. The use of blue throughout to indicate Walter’s static state, and the likewise eyecatching use of red to indicate life, the seizing of opportunity, and adventure. Visually amazing.

  2. Walter’s realisation that his constant daydreaming (even in the presence of his dream girl!) is stopping him from achieving all that he could be.

  3. The sheer bombasticity of Walter’s imagination, in all its glorious HD ridiculousness.

  4. The point when you realise that as much as Walter admires Sean O’Connell (the wild man, the adventurer, the romantic), Sean O’Connell respects him.

  5. The fact that the plot didn’t make the mistake of ‘Trying To Save The Magazine’. The end was inevitable, graceful, and integral to the storyline.


To conclude: I never thought there would be a point in my life when I would say that the remake of a movie exceeds the original. But I’m saying it now. Ben Stiller’s Walter Mitty has all the outrageous imagination that Danny Kaye’s Walter Mitty ever had, but where Danny Kaye’s WM is light and frothy and fun, Ben Stiller’s WM is rich, layered, and intensely satisfying. The more I watch it, the better I love it.

Ben Stiller as Walter Mitty

Ben Stiller as Walter Mitty

Happy watching, guys.