Cover Reveal: Wolfskin

I’m particularly excited about the cover for my next book. I love all the covers that Joleene Naylor has done for me, but I particularly love the colours in this one. (Why, yes: I am a joyless, crabbed little being who loves mossy greens and greys and browns.)

Below you can read a blurb for Wolfskin: an excerpt of the same will make its way to you when I get the chance. Wolfskin is set in the same world as the rest of the Two Monarchies Sequence, but has none of the same characters. Let me know in the comments what you think of the cover. Thusly: behold!

Preorder Available from Amazon and Kobo

Preorder Available from Amazon and Kobo

‘If you want adventure, you have to march right up to it and kick it in the shins . . .’

At fourteen, barefoot and running wild, Rose is delighted to be apprenticed to Akiva, the witch of the forest.  She thinks it will be all enchantment and excitement, and not so much fuss about baths.  The reality is much more sober and practical- that is, until she meets a mysterious wolf in the forest and is tricked into stepping off the path . . .

In young, naive Rose, Bastian sees a way of escape.  Cursed to remain in the shape of a wolf after running afoul of a powerful enchantress, he has lived many decades under a spell, and now he is both desperate and ruthless.  But by breaking part of Bastian’s curse, Rose has caught the attention of Cassandra, the enchantress who cursed him: and Cassandra is by no means ready to forgive and forget.

Meanwhile, wardens have been disappearing from the forest, one by one.  Rose is certain that Cassandra is behind the disappearances, but can she and Bastian get to the bottom of the matter before Akiva disappears as well?  And are Bastian’s motives entirely to be trusted?

Sometimes the little girl in the red hood doesn’t get eaten, and sometimes the wolf isn’t the most frightening thing in the forest.

Excerpt From ‘Masque’

As Masque will be officially published tomorrow, I thought it was high time that I shared a sample of it here. Unlike Spindle, I haven’t used the very first pages: instead, I’ve cut an excerpt from somewhere in the middle of chapter one. Do enjoy, and don’t forget to order Masque tonight! It’s available in paperback and ebook formats from Amazon, Kobo, Createspace, and selected bookstores, and the preorder function is still on.

Normal service will resume in a few days. Until then, enjoy!

Excerpt from Masque Chapter One.

The library was pleasantly quiet when I wandered idly back through it. Someone had lit a fire in the grate, and orangey shadows flickered over the walls, pearlescent and warm. A comfortable-looking settee was set back a little from the fire, big and plush and just right for reading in, and somehow I found myself sitting down.  It was comfortable, and before I knew what I was doing I had slipped out of my dancing shoes and tucked my feet beneath me as I did at home on a rainy day. I was stretching back luxuriously with a guilty thought that I shouldn’t stay too long from the ballroom, when I realised with something of a shock that I was not alone. Green eyes gazed at me from an identical chair opposite mine, and a familiar green waistcoat glowed rich emerald in the firelight: it was the man I had danced with.

“I do beg your pardon,” I said, startled. It seemed ridiculous to bleat that I hadn’t seen him there, since he filled the chair very obviously, his long legs stretched out in front of him; but I really hadn’t seen him. “Shall I leave?”

The man stiffened, his head jerking back a little as if he were also startled, but he said quietly: “Not at all.”

His voice was velvet like his waistcoat, deep with slightly rough edges, but now that I had a chance to really look at him, I found that there was something unnerving in his face.

To give myself time to ruminate on the sense of unease, I said: “I’m sorry if I startled you.”

He cocked his head and leaned a little forward. “Most people don’t notice me when I don’t want to be noticed.” He said it more with interest than annoyance.

“I see,” I said quietly; and I did see. I saw two things: one, that this man was a magic user, and that was why I hadn’t seen him at first; and two, that my feeling of unease came from the fact that he was wearing a mask beneath a mask. The lips of it moved, but stiffly, and with imperfect synchronicity. What sort of a man wore a mask beneath a mask?

I said: “Lord Pecus, I believe?”

He laughed at that; a low, warm laugh as enthralling as his voice, and removed the green velvet mask. “You have the advantage, my lady.”

“Lady Isabella Farrah,” I said, inclining my head grandly, just as if I wasn’t curled up in a regrettably informal way. I offered him my hand, and he kissed it in the old fashioned way, cold porcelain against flesh. “I believe we have a mutual friend: Lady Quorn.”

He looked at me piercingly, and I added with mendacious helpfulness: “The one who stumbles.” I was enjoying myself immensely. I thought I saw a gleam of answering humour in Lord Pecus’s eyes, but it was difficult to tell through the magical mask.

“I think I would like to see your face,” he said thoughtfully. “Would it stretch politeness too far to ask you to remove your mask?”

“After you, my lord.”

I thought he laughed at me, but again it was hard to tell. “I don’t think I understand you, my lady.”

I looked at him steadily for a moment, my chin propped up in my palm. “Forgive me if I seem rude, but I think you understand me very well.”

He sat forward again, leaning his forearms on his knees. His bulk was so considerable that this maneuver put his face only inches from mine, and I found his eyes uncomfortably piercing. “Very well, my lady. Remove your mask, and I will remove mine.”

I was burning with curiosity that was tempered by a touch of self-satisfaction that I was about to accomplish something that even Delysia had not been able to accomplish, but I untied my mask with fingers that were steady enough.

“Well, my lord?”

“Charming,” he said softly, deliberately misunderstanding. I found myself blushing for the first time in many years. It was annoying to know that he’d intended as much. “How old are you, Lady Farrah?”

“Very nearly thirty, my lord,” I told him composedly, ignoring the rudeness of the question. “And a confirmed old maid, so you’ve no need to waste your compliments on me.”

“What brings you to the Ambassadorial Ball?”

“The proposed militia merger, my lord; and I believe you’re stalling.”

He gave me a slow, considering smile, and I wondered if the face beneath the mask was smiling also. “Is that so? Are you sure you want to see my face?”

Courtesy compelled me to say, albeit with reluctance: “Not if you’re unwilling, my lord.”

Lord Pecus sat silent for a moment as if in thought, his mask unreadable.

“Hm. I don’t believe I am,” he said at last, as if he had surprised himself. “Try not to scream, my lady.”

If he had said it with the slightest theatricality, I would have laughed and gone back to the ballroom, content not to know what his face really looked like. But he said it unemotionally, a plain warning; and I had to take myself firmly to task for the quickly accelerating beat of my heart as he removed the charms that kept his mask in place. I settled my chin a little more firmly in my palm and waited, watching the process with some interest. I had not much talent for magic, and my knowledge was almost as slight: my training had mostly to do with international policy and diplomatic processes.

At last he seemed to be done. He raised both hands to remove the mask – beautiful hands, strong and bare of rings – and it came away cleanly. For a moment I thought he had yet another mask beneath: firelight played on tawny brown hair – no, fur!- in a face that looked like the worst parts of wolf and bear mixed. I blinked once, realising in that instant that it was his face, his real face, and no mask. His mask must be magic indeed to have hidden that snout under the pretence of a plain common-or-garden human nose.

“I see,” I said into the silent warmth of the room. I dropped my hand back to the arm of the chair and let a small sigh escape. “That explains a good deal.”

Anticipation (Also, Happy ‘Straya Day)

The day is almost here! Masque will be officially available this Sunday! But in the meantime, I’ve released the paperback early for people like me, who can’t wait. So if you were just waiting to order Masque, you need wait no longer! The paperback will, in fact, probably be with you before the Kindle and Kobo editions are quite released.

You can order the paperback of Masque from Amazon and Createspace, and the Kindle and Kobo versions are available for preorder, awaiting Feb 1st. If you want a refresher on what Masque is all about, read on!

Otherwise, have a great ‘Straya Day!

(And, as always, if you want to get your mitts on a review copy of Masque, get in contact through the contact page.)

MASQUE - 2000

Masque (The Two Monarchies Sequence)

Beauty met the Beast and there was . . . Bloody murder?

It’s the Annual Ambassadorial Ball in Glause, and Lady Isabella Farrah, the daughter of New Civet’s Ambassador, is feeling pleasantly scintillated.

In the library is Lord Pecus, a charming gentleman whose double mask hides a beastly face, and who has decided that Isabella is the very person to break the Pecus curse.

In the ball-room is young Lord Topher, who is rapidly falling in love with an older woman.

And in the card-room, lying in a pool of his own blood, is the body of one of Isabella’s oldest friends: Raoul, Civet’s Head Guardsman. The papers sewn into his sash seem to suggest espionage gone wrong, but Isabella is not so certain.

Lord Pecus, as Commander of the Watch, is of the opinion that Isabella should keep out of the investigation and out of danger. Isabella is of the opinion that it is her murder to investigate, and that what a certain Beast-Lord doesn’t know won’t hurt him. . . .

Will Isabella find the murderer before Lord Pecus does, or will she end her investigation as a bloody spatter on the parlour floor?

Laziness And Self-Publishing, And Stuff

I’m lazy.

That’s one of the first things I learned about myself as I was growing up. You know the kid that goes to the toilet before it’s supposed to do the washing up and just never comes out? Yeah, that was me. (It’s still me, except I’ve figured out better ways to skive off work than shutting myself in the loo with a book.)

So one of the things about self-publishing that’s hit me hard is the amount of work. To be honest, it wouldn’t be that bad if it wasn’t for the full-time (and by full-time I mean 40-55hrs a week) job. There’s just so much stuff to do. Yanno, stuff stuff. It’s not even real writing stuff. It’s stuff like hanging out on Twitter to connect with people (and getting carried away ‘cos suddenly you’ve met this awesome person who’s at the same place you are, and writes these really fantastic stories), or figuring how to promote your book/s, or trying to discover exactly how Goodreads works. (I mean, seriously, I JUST figured out how to Twitter!)

And that’s before you consider the hours of writing per day, sandwiched into my lunch break, or before work, or after work. Then when I get home, there’s the housework to do.

I’m lazy.

I don’t want to have to do all that. Only it’s so satisfying when it comes out right, and the book’s published, and you can get on with the next book. It’s satisfying to see the follower count for my blog go up. It’s satisfying to find out that having a Twitter Follow-Me! box is worth the time and effort to install. And it’s really satisfying when someone else downloads one of your books.

Still, I’m pretty pleased with my foray into self-publishing so far. I’m loving the level of control I have over my own book. I’m loving the fact that I can publish on my own schedule. And I’m loving all the fantastic people I’m meeting along the way.

I’m lazy, but there are some things that are worth working for.

Scams And Gullibility

Yanno, like Sense and Sensibility, cos it’s . . . oh, never mind.

At some stage in your writing career (well, in almost any career), you’re certain to run into a scammer. Where there are writers desperately hoping and trying for a breakthrough, there are always going to be schemes like PublishAmerica and the like, ready to prey on the hopeful and uninitiated.

In my original quest for a publisher, I ran into three of these. The first was PublishAmerica. I’d sent a blurb and a sample chapter or two before I knew enough to check them out on the internet. They sent back an effusive email missive that said they would like to publish my book FOR ABSOLUTELY NOTHING. (And yes, they did capitalize that.) Once I’d come down from the high of reading that someone wanted to publish my book, a few things snagged uneasily in my mind.

#1 was that capitalized assurance that publication would cost ABSOLUTELY NOTHING. A genuine publisher has no need to tell prospective authors that they won’t charge for publication. Money flows to the author.

#2 was the fact that they hadn’t even read the full manuscript. I got this message after sending only a few chapters to PublishAmerica. So yeah. If a publisher hasn’t read your full manuscript and is already offering to publish it, run. Run for the hills. You might be that awesome, but my bet says you’re not.

#3 was the info I found on the internet after belatedly checking out the ‘company’. If you’re looking for information on almost any publisher out there, scam or legit, you can’t go past Absolute Write and Preditors and Editors.  I can’t stress enough the importance of checking your facts before even approaching a publishing company or agent. The less bait you are for scammers, the safer you’ll be. There will always be the cold-call, or direct approach, but at least you won’t make a mark of yourself.

More insidious was the supposedly reputable publisher who received my application (blurb, chapters, etc), asked for the full manuscript, and then sent an email back to me some months later, indicating that they could publish me under one of their imprints- which turned out to be a vanity outfit that wanted to charge me $3000-$6000 to ‘publish’ my book. This was after I’d checked them out online and found them to be supposedly reputable. It was only later that I learned this particular publisher had a ‘traditional’ side and a ‘vanity’ side. I sent them back an email indicating that I would wait until I found a publisher who felt they could support me in every way. As I said before (and many have said before me): Money flows to the author.

Most recently, a friend of mine was emailed out of the blue by someone who claimed to have read her fiction online, and who was interested in publishing her. Now, my friend is a great writer. However. This person purported to run a certain company with a name almost exactly the same as a reputable company. They were so similar, in fact, that every google search turned up the other publishing company instead of his. The reputable company has been around for some years, and is connected with many reasonably well-known names. The ah, entrepreneurial company has been around for two months. I still don’t know whether it’s a determined scam (though I’m inclined to think so, based on the name game), or whether this guy with no proven publishing experience/contacts just isn’t awake enough to himself to know how publishing works. Either way, it’s not a safe bet. Your writing might be that awesome. But it’s not likely.

There will be stuff you learn along the way – hopefully not through bitter experience – but what I’ve learned is that:

*Money flows to the author

*If a ‘publisher’ contacts you, check them out very carefully before signing anything

*Suspect everyone, and check out everything

*The internet is your friend

*If it seems too good to be true, it probably is (Actually, I got that from Hustle, but it’s true)

Adventures In Retail: ‘Tis The Season (Or, The Fight Before Christmas)

I don’t wear a Christmas shirt to work (a long story where I got kicked out for wearing a shirt that had Christmas Scripture verses on it) but I do wear a nice, tiny, red hat with green ribbons. It’s my pride and joy this Christmas. It’s perky and fun and jingly.

Christmas Hat

I was wearing it today when I got back from lunch, tilted at a rakish angle above my bun. When I got back to the service desk (which I run with a rod of iron) I was informed that a woman in one of the checkout queues was about to have hysterics as she claimed she’d been assaulted. Crazy Cow 1, hereafter designated CC1, was in the line with her four or five year old son, who was packing groceries onto the belt like the awesome little kid he is, while she shook and hyperventilated and gasped: “Where are the cops? He assaulted me, last time he broke me jaw!” and similar.

I understand that the cops have already been called, so I sit CC1 down on the bench in front of the service desk while I help the kid put all the groceries through. When that’s done, I sit with both of them, continuing to assure CC1 that I won’t let her (cousin? boyfriend? both?) attack her, and that the police will be there soon. All this time, let it be understood, CC1 is shaking, gasping, and having hysterics, while her awesome kid is sitting there being cool about the whole thing.

The police are busy, it seems, and twenty minutes after they were first called, haven’t shown. CC1 shows every sign of going into a rage-induced fit, so I think it best to call the cops again, who tell me they’re awfully sorry but they’re very busy and they’ll get someone out to us when they can. So I’m on still the phone with the cops when an older dame (Crazy Cow 2, or CC2) approaches CC1. She looks bogan but relatively clean. I think she’s going to comfort CC1.

No such luck. CC2 speaks literally four words to CC1, who then proceeds to leap onto the bench she was sitting on, and start screaming at CC2 to get away from her. I’m on the phone to the cops, remember? Well, not for long. CC1 is dancing about on her bench screaming: “Get away from me, get away from me!” which CC2 evidently takes as provocation, because she starts swinging. Then CC1 starts swinging. Me? I’m in the middle, shoving CC1 away from CC2, and CC2 away from CC1. Imagine the air rent with screams and profanity and inarticulate rage.

My phone, of course, is sent flying. Ah heck, I think. There goes my brand new phone. CC2 is trying to punch me in an attempt to get to CC1. CC1 is leaping on my back in an attempt to get at CC2. My scarf is torn off and flung aside, with my battered badge somewhere under the Christmas tree. Awesome Kid is sobbing on the bench, scared to death.

By the skin of my teeth I keep them apart until someone hauls CC1 off my back, which reminds her that she’s meant to be the victim, so she goes and hides in our toilets. (Leaving Awesome Kid behind, BTW.) I’m shouting as loudly as I can for CC2 to get out of my store, which she eventually does, leaving me to pick up Awesome Kid and cuddle him until the cops show up- about thirty seconds later. CC1 has forgotten she has a kid, so I keep cuddling Awesome Kid until everyone is bundled into cop cars and hustled away (another half hour).

By this point I’m sporting strangulation marks around my neck, am feeling bruises that won’t come out until tomorrow, have lost my scarf and badge, and am feeling like I fought the battle of the century.

But you know what? My hat stayed on. This is a fighter of a hat, ladies and gentlemen. I was sure it was gonna get knocked off, tearing out handfuls of hair as it did. They tell me that at one point I was just a tiny hat bobbing around in the middle of the scrum. But against all the odds, my little hat survived. If that’s not the fighter’s spirit, I don’t know what is. It deserves to live again next year.

To everyone out there in retail at this time of year, good luck. I hope your days are uneventful and your customers wonderful. To everyone else: try not to start fistfights at my service desk. Thanks. I appreciate it.

Merry Christmas.

Behold The Beauteous Cover Art!

I’ve been very busy these last few days, finishing final edits of my MS Masque. Likewise busy has been the very talented Joleene Naylor, finishing up the cover of Masque for me.

Happy mortals, feast your eyes on the beauteous cover art! Then go ahead and preorder Masque from Amazon or Kobo. Publication date is set for 1st February, 2015. Two months, guys!

MASQUE - 2500

And if you’re like me and need a blurb to read, scroll down. Adieu. I’m off to gloat a little more over my cover art.

 

    Beauty met the Beast, and there was . . . bloody murder?

            It’s the Annual Ambassadorial Ball in Glause, and Lady Isabella Farrah, the daughter of New Civet’s Ambassador, is feeling pleasantly scintillated. 

In the library is Lord Pecus, a charming gentleman whose double mask hides a beastly face, and who has decided that Isabella is the very person to break the Pecus curse. 

In the ball-room is young Lord Topher, who is rapidly falling in love with an older woman. 

And in the card-room, lying in a pool of his own blood, is the body of one of Isabella’s oldest friends: Raoul, Civet’s Head Guardsman.  The papers sewn into his sash seem to suggest espionage gone wrong, but Isabella is not so certain.

Lord Pecus, as Commander of the Watch, is of the opinion that Isabella should keep out of the investigation and out of danger.  Isabella is of the opinion that it is her murder to investigate, and that what a certain Beast-Lord doesn’t know won’t hurt him.  . . .    

Will Isabella find the murderer before Lord Pecus does, or will she end her investigation as a bloody spatter on the parlour floor?

 

Note: I’m currently sending Masque out for review, so if you’re interested in getting your hot little hands on a free review copy, email me at gingellwrites (AT) gmail.com. I’ll send a digital or physical copy of Masque to you for the purposes of a review on Amazon and/or Goodreads, etc. All honest reviews are welcomed, and I understand that not everyone is going to love me and my books. (Odd, but there it is . . .)

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