Holidays, reading, and other cool stuff

You may have noticed that my blog schedule has been a bit…off…lately. I say may have because at this point I’m assuming that your entire world doesn’t actually revolve around me (yet. Just wait until I’m rich and famous!) This is because I finally finished PLAYING HEARTS and forced myself to have a week off before doing the Last Edit bits and pieces. Now that I have it back from my fantastic beta reader I have a few more things I need to tweak and a few more spelling errors and continuity snafus to eradicate.

PLAYING HEARTS BOOK COVER-picmonkeyAt first it was kinda hard not to write: I’d wake up and immediately think of how many words I’d have to get done today, only to realise that I wasn’t in fact allowed to write at all. It was really off-putting and not entirely enjoyable, but since I cemented that resolve by also resolving to spend the time I would have been writing, in reading, it wasn’t long before I was thoroughly enjoying myself.

However, it’s back in the saddle again on Monday: I have a ton of work to do before PLAYING HEARTS goes live on the ‘Zon. The final file is due by February 29th, which gives me just enough time to fiddle with it one last time!

So I’ll be back with my (somewhat) regularly scheduled blog posts on Monday and Thursday, and in the mean time don’t forget to sign up for my newsletter to get free books and first looks at all my latest scribblings!

Three cheers (and lots of Hogan’s Heroes)!

It’s finished!

The Short Thing I started as a challenge has grown to be a 41k word novella titled PLAYING HEARTS, and has finally finished its growth spurt! I had a huge day of writing on Saturday (6k) and a huge day today (5.5k) to finish it; and it feels SO GOOD!

Now I’m gonna put it aside for a week and not touch it until I start my week of intensive editing.PLAYING HEARTS BOOK COVER-picmonkey

That means…

Me watching Hogan’s Heroes
Me reading LOTR again (then more Hogan’s Heroes)
Me finishing Catching Fire (then more Hogan’s Heroes)
Me drinking SO MANY cuppa teas (while watching Hogan’s Heroes)

*Happy Sigh!*

A WHOLE WEEK to relax!

Now I just have to be firm about Not Writing.

Hey! If you want a free, advance copy of PLAYING HEARTS (on March 1st), join my mailing list! You’ll also get MASQUE for free!

Sorry, no blog post for you!

Hey guys!

I know, I know. I haven’t written a blog post since last Monday *gasp*

Okay, I know most of you don’t really care, but mea culpa, and all that–or Amazon culpa actually. I’ve just found out that they’ve messed up the formatting of the two books I did get professionally formatted, so I’ve been ‘orribly busy just fixing that up. And I’ve only finished one. It took me FOUR HOURS. FOUR. I got no writing at all done today.

Today is a bad day.

So you get no blog post.

Grumpy cat no blog post for you

Self-Publishing vs Trade Publishing

All right, hold onto your hats, people.

Things are about to get serious. (Not really. I just like to wind people up.)

Last week I saw a blog post on self-publishing by Agent Janet Reid. As with every other time Janet talks about Self-Publishing, I disagreed totally with almost everything she said. I find Janet a great source of wisdom and fantastic hints, but I think she’s completely off when it comes to self publishing. What she says simply doesn’t match up with my experience or with the experiences of most of those self-publishing around me. That’s to be expected: she’s an agent, not a self-publisher. Her expertise–and it’s a vast and immensely useful expertise–is in an entirely different area. I didn’t comment on the blog post because I didn’t want to waste my breath or annoy Janet by disagreeing with her on her blog. I simply had a bit of a chuckle and moved on.

However. I got an email this evening.

It was a nice email, a thoughtful email from another reader of Janet’s blog, mentioning the blog post and asking what I thought of it. He added that not many self-publishers had commented upon the post. He then linked to another blog post on the subject and asked my opinion on it. This is the blog post: it’s great. Thoughtful, questioning, and interesting. It brings out some fantastic points.

It made me think again about why I self-publish, what I think of the self-pub vs trade-pub question, and what battles I think are worth fighting. I’ve spoken before about why I love to self-pub: things like control of my own work, rights, and author brand; plus a (much!) better cut of the profits; my own publishing schedule (that means I can publish 4-6 times a year instead of once every 2 years); etc., etc….

But most of all it got me thinking about one thing.

In this quickly changing and vast world of publishing, I have noticed one thing happening again and again. Self-pubbed authors working hard, making it big (to either a great or decent extent), and taking a trade-publishing deal along with their self-pubbed work. Then I see the exact same thing, but in reverse: Trade-pubbed authors who have already made it big (or who have been midlist and want more) going self-pub on the side, and making it rich. So in the end, it really makes me think that the best thing to do as either a self- or trade-pubbed author is to be flexible. There’s no one way to do it, and Hybrid-pubbed authors are beginning to spring up everywhere.

So there you have it.

I’ve decided absolutely nothing. Self publishing is best for me, and I fully expect to be writing full-time within five years, but that’s not going be the path for everyone. Some authors are going to be more comfortable trade publishing. Some of us aren’t. I could do with a little less of the smug attitude and pitying glances from the direction of trade publishing, but in the end, who really cares? So long as I’m making a living, they can look down on me as much as they choose. Officially, I recommend self-publishing, but you have to go into it with your eyes open, knowing what to expect. It’s going to be a lot of work, and you may or may not succeed. On the other hand, I could say the same of trade publishing. So again, I’ve not really decided anything.

What do you guys think? Self-Pub? Trade-Pub? Hybrid? Which are you?

PLAYING HEARTS: Wonderland through different eyes

Once upon a time, there was a little short story about Wonderland. It was conceived as part of a challenge, and despite the best intentions, it didn’t remain little. It grew up. First as a rather longer short story. Then as a novellette. Finally, it became a fine, strapping novella of nearly 30,000 words.

It is still growing.

Currently, it looks like ending up as a fat little thing at 35,000 words or so. This is unfortunate, since I wanted to have it ready to send out to my mailing list in February’s newsletter.

The good news for you is that since I will be postponing the sending out until March’s newsletter, you still have a chance to sign up to my mailing list and get not only MASQUE for free, but PLAYING HEARTS for free when it comes out in March. Newsletter subscribers will get PLAYING HEARTS on March 1st, and it will shortly be on preorder for everyone else for a March 10th release.

In the meantime, here is an excerpt for your delectation!

PLAYING HEARTS

 

PLAYING HEARTS BOOK COVER-picmonkey  Once you know, it’s like leaping worlds every time you step over a puddle. In a way, it is leaping worlds. It’s not just puddles, either: Alice got in through a looking-glass, and I’ve heard of a boy who gets in through windows. I’ve always liked puddles, though. Splashy and bright and exciting– and at first that’s how Underland seems. It feels like anything is possible.

Mind you, Underland is only my name for it. Other people know it by other names: Mirror World; Wonderland; Looking Glass World. It’s all the same in the end. The same Underland. A whole, upside down world under the puddles.

            I don’t remember much about my first journey to Underland. I was three at the time, and until I was seven I was convinced it had all been a dream. I was by myself in the hedge, hiding from the other children because it was there and I could, and because it was fun to watch people passing the Home. They never saw me.

But this time, someone did. I was curled up on one of the branches, my bare feet scratched and brown, and the first I knew was an eye looking at me through a gap in the hedge.

“You’re invited,” said the eye. It blinked, then disappeared. In its place a hand appeared, a card between its forefinger and middle finger. I took it without understanding what it was or what the voice meant by what it said.

“It’s a very important date. Don’t be late.”

I put the card in my already bulging pockets and forgot about it during the afternoon. And later I was too busy with milk and biscuits and getting out of brushing my teeth in the rush before bed to remember the card crumpled in my pocket.

            That night, she sent the card sharks after me.

I didn’t know that’s what they were– well, I didn’t even know who she was. Not then. Midnight woke me, all silver and cool and snowy, and they were already by my bed, one on either side. Thin—no, flat—figures, inky black against the off-white walls, their flat, heavy feet shuffling against the carpet. They didn’t speak; they simply made a soft click-click of noise. I found out later that this was their sharp teeth snapping open and shut.

“You’re not allowed in here,” I said, my voice very quiet against the clicking of pointed teeth. The Home was clear about men and bedrooms. If there was a man in the bedroom, I was supposed to scream. I wasn’t sure why, but I knew it was Very Important.

I wasn’t exactly certain these were men, but I wanted them to know that I wasn’t afraid.

I was stubbornly Not Afraid when they clicked their teeth at me without speaking and threw a velvet sack over my head. I yelled and fought, but the velvet muffled my cries, and when at last the sack was thrown down on something soft and scented, they left me to fight my own way out of it.

I emerged, ruffled and panting, in a high-ceilinged boudoir. The cloying scent of jasmine was in the air and in the settee beneath me: it made me sneeze and rub my nose on the back of my hand. Behind the settee was a high, curtained bed in majestic black and red.

There was a boy on the settee next to me, watching me wriggle from the sack with a kind of narrow-eyed curiosity. He was dressed in red velvet and gold lace, a thin, pale boy with a sharp, aristocratic nose and a pale gold fringe of hair swept to one side.

He looked me up and down, lingering curiously on my bright green socks, and arched one light gold brow. He said: “You’re a funny looking little thing.”

I gave him a perplexed look and sat on a fat velvet footstool. “I’m hungry.”

“Have some tarts,” he said, offering me a tray.

“I’m not allowed,” I said. That was another of the Home’s rules. No sweet things between meals. “Why are you awake? You should be in bed.”

That’s no fun!” he said scornfully. “Why are you so small, little girl? I thought you’d be bigger.”

“I’m only three,” I said. I felt slightly resentful. I couldn’t help being so small.

The boy made an unconvinced noise, but sat down beside me. “I suppose there must be something to you, if she chose you. We’re to be engaged. Do you understand that?”

I only blinked at him. I had no idea what the words meant, but I did know that the boy’s lofty tones were annoying.

“Are you afraid of needles?”

“I’ve had my measles shot,” I said, but I felt my lip tremble. I very much disliked needles.

“It’s all right,” he said, with a sigh. “I’ll hold your hand. You’re not to cry.”

“I don’t cry,” I told him, but I let him take my hand anyway.

He said coolly: “I’m Jack. They didn’t tell me your name.”

“I’m Mabel. What– who were those men?”

“They’re not men,” said Jack. He was just a little paler, and his voice had dropped to a whisper. “They’re card sharks. Stay away from them. They bite.”

I opened my mouth to say that men didn’t bite, but just then there was a commotion from behind a set of colourfully lacquered double doors, and Jack’s fingers pinched mine.

“Don’t speak to her,” he said in a whisper. “Just nod. And don’t look her in the eyes. She doesn’t like that. Hold out your hand when she asks for it, and don’t cry.”

“I don’t cry,” I said again.

            Jack slipped from the settee and helped me down gravely, then stood beside me with his hand around mine, his back very straight and stiff. We were just in time: the doors flung open with a sharp crack against the golden boudoir walls, surprising a small squeak out of me. Jack didn’t say anything, but he pinched me again.

Through the open doors a vast, velvet mountain of a woman swept, her crown high and sharp. Since the only person I knew with a crown was the Queen of England, it seemed obvious that this must be she. I would have asked her if she was, but I could feel Jack’s fingers curled around mine, warm and tight, and remembered that I wasn’t supposed to speak. I fixed my eyes on her belt buckle instead, and gripped Jack’s velvet sleeve with my free hand.

“Hah!” said a voice as sharp as the crown. “Here it is at last! Give me your hand, child!”

I did as I was told, my gaze still on her belt buckle, and something sharp pierced my finger. I instinctively tried to pull my hand away but her fingers pinched harder than Jack’s, cruel and strong. I saw a huge drop of blood well up on the tip of my finger, as richly velvet as the queen’s frock.

Beside me, Jack offered one narrow, white hand without being told. I looked up once through my lashes, and saw the exulting, cruel smile on the queen’s face as she pricked his finger too. Jack took it without a sound and reached for my bloodied hand with his own, but that smile made me feel odd and squishy in a way that the meeting of our bloodied hands didn’t.

“Done!” said the queen, in her harsh voice. “Bound by blood, in life as in death. Take your fiancée in to the garden, Jack: her thin little face irritates me. Send her back when you’ve finished playing with her.”

She spun in a heavy swirl of velvet and left the boudoir. Beyond her I caught a fleeting look at a desk and office settings, and got a better view of the card sharks in the light before the doors swung closed on the room again. I wasn’t sorry to lose sight of the sharks.

            The tickle of something wet dripping down my injured hand reminded me of my wrongs. I held it up to my face: now that the worst of the pain was over it was interesting to watch the trickles of blood as they made crimson channels down my hand.

“Come along,” said Jack, pulling me out of contemplation by my uninjured hand. I was towed toward another set of double-doors that were outlined in impossible golden sunshine.

Both of the doors hand an elegant red-lacquered doorknob, but Jack didn’t touch them. Instead, he pushed them open with his injured hand, very deliberately leaving a bloody handprint on the paintwork above the doorknob.

“She won’t like it,” he said, when he saw me looking at it; “But it’s not against the rules, so she can’t do anything about it.”

I found myself walking out into a garden that was bathed in bright sunshine, my green socks picking up late autumn leaves as I trailed after Jack in the grass.

“Why is the sun out? It’s night.”

“Mother made him come out. He didn’t want to, but she’s queen after all.”

“Where’s the moon, then?”

“She’s up there too, but she’s sulking. She doesn’t like it when the sun comes out during the night. She’s a feminist and she doesn’t believe in being eclipsed by a male. Sit down here.”

Here was the brick side of a fountain. I did as I was told and Jack sat down beside me, scooping water in his gory hand.

“Sorry about the blood,” he said. He washed my hand quickly and competently: I got the impression, young as I was, that he’d done it many times before. “She likes the old rituals. It’ll heal quickly.”

“Why did she prick me with a needle?”

“Do you only ever ask questions?”

I gazed at him silently until he gave a small sniff of laughter.

“It’s meant to bind us together. It’s all very old-fashioned and pointless, and it amounts to the fact that we’re to be married.”

“I’m too young to marry,” I said. “And I don’t have any nice clothes.”

Jack rinsed his own hand carelessly and flicked bloody drops of water on the grass. I didn’t understand the look in his eyes, but his voice sounded rather harsh when he said: “We won’t be married until I’m twenty-five. That’s sixteen years to buy nice clothes. Or to do an awful lot of running.”

            I don’t remember much else from that day, but I must have fallen asleep at some stage, there in the sunlit night. When I woke the next day I found myself lying on top of all the bedcovers, my finger still sore. The tiny scar vanished in a day or two, and as young as I was, it wasn’t long before I came to believe that I had dreamed it all. But every now and then I was certain that I caught sight of a flash of red in my dressing table mirror, and once the pair of black-flecked eyes I saw gazing back at me from a window at school were not my own.

***

See Wonderland through different eyes! Subscribe to my newsletter and you’ll get PLAYING HEARTS free with next month’s newsletter!

Last chance to win the MASQUE Book Swag Giveaway!

The end of the month is fast approaching, and with it, MASQUE’s birthday.

That means you’ve only got 3 more days to enter my MASQUE Birthday Bash Giveaway! I’d also like to reiterate that this book swag giveaway is INTERNATIONAL–I will send this book swag anywhere in the world!

What are you waiting for? Have at it!

Click here to view this promotion.

As a birthday present, I’ve started the process to have a new cover designed by Jenny at the Seedlings Design Studio. She does some absolutely gorgeous work, and has designed amazing covers for at least two indie authors I know. I’m really excited to see what she’ll do for MASQUE.

Isabella Farrah (and other parts of me)

There is a question every author will be asked–oh so many times!–during their career.

That question is: “How do you come up with your characters?”

Its cousin is: “Are you going to put me in one of your books?”

The answer to the second question is: “That depends. Are you an awful person/have you been unspeakably nasty to me/the people I love? Then yes. And the character that is you will probably die alone and miserable, or at once and ‘orribly. Are you a nice/ordinary/pleasant person? Then maybe, but only the parts of you that interest me. Maybe your hair. Perhaps that habit of yours where you silently flick your index and fore fingers when you feel nervous. You will be dismembered in the most painless way, and your foibles and character traits dissected with great interest.”

“Writing is a socially acceptable form of schizophrenia”

-E.L. Doctorow

The answer to the first is slightly more complicated. I don’t really draw characters from real life, wholesale. I take bits and pieces. Sometimes those bits and pieces come from the people around me, but mostly they come from myself.

What is it that E.L. Doctorow says? “Writing is a socially acceptable form of schizophrenia”. It’s true. I honestly don’t know how many authors work this way, but for me, there is some sense in which every character I write is me. Well, a part of me. Remember what I said about dismemberment earlier? Well, that applies to myself as well. I’m a great proponent of the practise of self-dismemberment. My characters are a kind of Igor: this piece patched onto that piece, a bit of embellishment here, and a bit of fancy stitching there. I don’t just keep the pieces as they are–I idealise them and alter them–but they remain essentially what they are: pieces of me.

My characters are a kind of Frankenstein’s monster: this piece patched onto that piece, a bit of embellishment here, and a bit of fancy stitching there.

To put it in practical terms, we’ll take Isabella Farrah, the MC from my Beauty & the Beast rewrite, MASQUE. Lady Isabella Farrah is intelligent, driven, stubborn, resourceful, and incredibly confident. She has a great love for tea, adores her meals, and has a genius for making clothes. She pulls strings, lays plans, and makes the people around her dance to her tune–all for their own good, of course! She is quite certain that she knows best, and–fortunately for her–she is almost always right. (See Jane Austen’s EMMA for what can happen when such a character is not almost always right!)

Now this isn’t a true representation of my own character traits, but it does have its genesis there. I gave Isabella all of my stubbornness (and then some, since in her paradigm she is almost always right, whereas I, alas, am not), my love for tea and good food, and a heightened sense of my own love for making clothes. I also gave her what my mother calls my Pied Piper attribute. For some reason, kids over the age of three seem to love me. They follow me around, grin at me, tell me their made up jokes, and do what I tell them to (and sometimes what I do, which brings its own problems). With very few exceptions, I find it easy to manage a crowd of kids. So I made this attribute bigger and better and less inclined to small failures, and gave it to Isabella, who makes everyone dance to her tune.

She was such a fun and easy character to write because I took of my most confident and comfortable things to make her. Now, when I write characters with less pleasant parts of me–my fear of people yelling at me, for example, or my anxiety with what people think of me–it makes writing that character much harder. I don’t love the parts of me that are afraid of everything. I’d much rather write confident, self-reliant people. But the fact is that there are parts of me that are always afraid, always sick, or always not particularly nice. And if I don’t write character with those traits as well–MCs as well as side characters–let’s face it, I’m not a very good author. I don’t want to write the same character all the time.

So when you see a character of mine that you don’t like as much, whether that’s because s/he’s always afraid, or too anxious to please, or actually quite nasty, just remember–it’s all a part of me. In a way, everything you see in one of my books tells you something about me. You’ll see the nasty pieces of me as well as the pretty pieces.

Cover Art and Competence

I’ve always been under the impression that I’ve not got the talent for cover-making.

Hey, for all I know, that impression is the correct one. But I came across a handy-dandy guide on Joanna Penn’s blog, in which a process for making covers through Microsoft Word was explained and shown. So I thought, ‘Well, why not give it a try?’

So I did. My Underland Novelette Thing now has both a cover and a title. Hooray!

Introducing PLAYING HEARTS, its cover, and a small excerpt by the way of a bit of contrast from my MASQUE’s 1st Birthday Posts. Let me know what you think! And if you haven’t yet signed up to my Newsletter, do so now: PLAYING HEARTS will be made available to my subscribers for free, a couple months early.

 

Playing Hearts Official Take Umptyteenth 3-page-001

Above my head, the Queen’s voice said: “I’d hate to think that you’re sharing your…tea…around Underland. It’s not healthy.”

There was a garbled mumble from the Hare that made me thankfully aware that he was still alive, and Hatter sat down again. I immediately seized his legs again, and though they were as skinny as ever they weren’t as stiff. I had the feeling he was as glad for me as I was for him.

“Not healthy for you, and certainly not healthy for them,” said the Queen. I didn’t think she was really talking about tea, but for the life of me I couldn’t figure out what she was talking about. “The type of tea you’re spreading about has a nasty habit of poisoning the drinkers.”

“Poisoned tea is no use,” said Hatter, his legs quivering. “All our guests would die. Dead guests are so hard to entertain. Perhaps a little sip of Syrup of Poppies instead?”

“Number Six, restrain the Hare,” said the Queen. Her voice was soft and plump, like a pillow. A pillow pressed against my face so that I couldn’t breathe. “I’ve heard that a hare’s foot is good luck.”

Above my head there was a brief, violent struggle, the sound of smashing crockery and what sounded like the Hare’s feet beating against the tabletop.

“CALUMNY!” yelled the Hare, his voice more frenzied than before. “A HARE MAKES HIS OWN LUCK, MADAM!”

 

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