Inspiration and MASQUE

MASQUE will be 1 year old on February 1st! I’m going to be hosting a big giveaway early next year (keep your eye out for great prizes!), but in the meantime, here’s a blog post on my inspiration for MASQUE and–most particularly–Isabella Farrah.

Isabella Farrah is probably the most fully-formed character ever to spring from my brain to the page. The first moment I ‘met’ her, I knew almost everything about her. I knew she loved tea and fine biscuits. I knew she had red hair. I knew she had an irrepressible and somewhat sarcastic sense of humour. I knew she was nosy. I was quite certain she was stubborn. I had more than a hint of the fact that she liked fine clothes, assuredly didn’t like horses, and was always dressed to the nines no matter what the occasion. And as the daughter of the Civetan Ambassador, it was obvious that she knew how to handle people.

Knowing all that, MASQUE was the easiest book I’ve written. It was just a matter of my fingers trying to keep up with my brain. I may have even given myself typist’s sprain in several fingers.

Therefore it feels like a bit of a cheat to talk about inspiration when it comes to Isabella. You see, I didn’t exactly feel inspired by anyone or anything to write her. She was just there. I was excited at the idea of writing a Beauty and the Beast retelling, and Isabella simply swept in and took over the story. It wasn’t even a matter of me reading a character I liked and thinking ‘Oh! One day I’d like to do a character like that!’

MASQUE - 2000Isabella is certainly not free of inspiration and heritage, of course: she’s a product of a long and varied reading career. Built into her are thousands of hours of soaking up authors like Austen, Heyer, Pratchett, Aiken, Wrede, Wynne-Jones, and so many more. She is, however, the character who leapt most obviously from my own imagination. I can pinpoint the genesis of most of my other characters. Isabella feels like she was always there at the back of my mind, just waiting to come out and play.

MASQUE itself certainly has its own distinct genesis of inspiration. I had previously written a Red Riding Hood retelling (WOLFSKIN) that was seeing some pretty hefty revisions (aka, being rewritten from the ground up) and I knew that I wanted to write more retellings. Oddly enough, MASQUE came about because I was thinking of the fairytales that I wouldn’t rewrite. Beauty and the Beast is one of my favourite fairytales, but with such great contenders already in the field, I felt that it had been done nearly to death. What possible twist could I bring to the story that hadn’t been done before–not to mention being done better than I could ever do it? Then I thought: ‘But if I did do it, this is how I’d do it–“

–and the rest, as they say, is history.

Looking back on this first year of MASQUE, I’m delighted at all the new people I’ve met, and all the feedback I’ve received. So whether you’re re-reading MASQUE or diving in for the first time, I hope you have at least as much fun reading as I did writing it!

You can get MASQUE from Amazon, Barnes & Noble, Kobo, iTunes, and Smashwords.

Gratitude And The Self-Publisher

It’s a funny thing, this self-publishing business. You start out with reasonably realistic expectations–‘I’ll probably only sell a book per month at first’, and ‘It’ll take a long time to build that email list’–and you put your head down and work at the thing.

You sell your book-per-month, and you feel grateful. You’re excited that there’s someone out there every month who wants to read your book. Then it’s four books a month. After that, it’s four books per week. At first you feel delighted: your sales are growing! But the next month, when it’s still only the four books per week, a subtle sense of disappointment begins to creep in. You begin to forget that once you were happy with a book per month.

Soon you’re averaging a sale per day. Giddy excitement! Life has never seemed so good! You may not be one of the best sellers out there–or even one of the best Indie sellers–but you’re not doing too bad for yourself. And your sales are still growing, albiet slowly. Maybe you have a promotion or two. Suddenly there are spikes of twenty to one hundred sales over a day or two, and it feels great! Then you get back to the humdrum sale-per-day after the promotion ends, and suddenly it feels a bit flat…

What’s the problem here? There is no problem. Your sales are fine. Your career is fine. It’s still growing, and it’s still miles ahead of the reasonable expectations you had when you started this thing. And yet, that subtle sense of disappointment still tends to creep in when you’re not watching out for it. You have to remind yourself that a sale-and-a-bit per day is miles ahead of where you reasonably expected to be a few months ago. There are still many miles to go and many readers to reach before you find your audience.

What does this have to do with you, you may be asking? (Apart from my use of the 2nd person for the blog post, that is). To you I reply: Precisely nothing. It’s more of a reminder to myself. But for all the other indie authors out there who sometimes feel glum and disappointed at the amount of books they’re selling (or not selling, as the case may be), try looking back to your beginning as an author.  I bet you’re doing better now than you were then. And you’ve probably done the same thing I have: you’ve become so used to a higher rate of sales that you’ve ceased to be grateful for what you’ve got. Take a moment to remember what it was like when you were starting out. It helps to put things in perspective.

And maybe don’t check your sales every day. That’ll help, too.

Get TWELVE DAYS OF FAERY for FREE!

I’m running a 3-day special on TWELVE DAYS OF FAERY. From Dec 3-5, TDOF is free on Kindle! Get it while it’s hot–er, free!

And when you’ve finished it, FIRE IN THE BLOOD is only 99c on preorder!

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Challenge Accepted…

I’m going to be unusually prolific with my blog posts this week.

Sorrynotsorry.

One of the reasons for this is the end of NaNoWriMo (my first NaNoWriMo, from which I emerge a glorious winner!) and what feels like an excess of free time. Another reason is my novella sale that’s coming up, and about which I will be posting later in the week.

The final reason is because I was challenged…yea, challenged, and I have taken up the gauntlet!

The challenge came via Musings/Traumereien/Devaneios over on Booklikes (who had it from a friend), and it was as follows: To write something based on the picture below [that is now no longer below; will try to link to its source if i ever find it again!]. It was meant to be something about 1000 words or so, but it was such a lovely pic and it gave me such a good idea that I couldn’t contain it in 1000 words. Currently my challenge project is 3300 words, and is looking like being a 10, 000 word novelette, so…

…with that being said, I’ll only be sharing about 700 words of it with you guys. When it’s done I’ll make it available to my email list as a perk, so if you like it, sign up!

Excerpt from Currently Untitled Novelette

I teetered on the edge of the grassy curb with frantically windmilling arms. Cold panic came to my rescue: I fiercely stabbed at the grass with the point of my parasol and caught myself just in time. My reflection in the shallow water below was open-mouthed and wide-eyed.

I’d almost fallen in. Back into Underland. Back into madness. Back into danger.

And if I wasn’t very careful I could still end up in Underland: the puddle was massive. Icy at the edges, snowy all around, and impinging upon the road to fully half way. I’d jumped bigger, but never in heeled shoes, and never in the snow. There was a good chance I’d break my ankle—or worse, my neck—if I made it across. On the other hand, broken ankle or not, at least I wouldn’t be in Underland. That had its advantages– especially since someone was trying very hard to make sure I did fall through again.

A wild look over my shoulder showed only danger: card sharks behind me; massive, impassable sheets of water to the left; police sprinting up the hill from the right. I had to jump. The puddle in the gutter was big, but it was smaller than the shallow oceans to my left. I threw another look around, my breath misting the air, and leaped.

I saw the pale golden flash of winter sun on slurried water, felt the bite of the wind on my cheeks. My parasol snatched at the air behind me, slowing me, but I saw my right foot splash down safely in snowy slurry. I slipped, and someone caught me tightly around the waist, warm and strong. I grabbed desperately for his waist with my free hand, sequins scratched against red velvet.

Red velvet. A splashing of slurry. A splashing.

Oh no.

“Got you!” said Jack.

“Hope I stood on your toe,” I panted, conscious that my skirt was less than decent and that I was showing at least one row of lace from my lace undershorts.

“You did,” Jack said. “I didn’t think heels were your style, Mab. I must say, I really approve. What a delightful dress!”

“What do you want?”

“Far too nice to wear out for a casual stroll, and those stockings— you’re on a date!”

“What do you want, Jack?”

“I want to know who you’re dating, for starters! You’re engaged to me!”

“I’m not engaged to you,” I said. “I was kidnapped by your mad-as-a-loon mother when I was three and she made us trade drops of blood. I had nothing to do with it.”

“I see you liked the birthday present I sent you,” he said, shrugging off the question for later. And it would come up later. It always did, with Jack. He just liked to make sure that he held all the aces when he brought it back up.

“What birthday—oh.” The parasol. I should have realised. It was far too beautiful for someone to simply leave in the street. And it had matched the dress so perfectly. Suspiciously, I added: “Did you know what I was going to wear today?”

“I don’t know what you’re talking about. Why didn’t you come when I sent you the card?”

“I didn’t want to be stuck in Underland again. You sent card sharks after me!”

Jack’s brows snapped together. “Card sharks? No.”

“Then who– oh.”

“Mother dearest, I presume,” said Jack, nodding. He still looked worried. “I was hoping she wouldn’t find out.”

I stared at him even more suspiciously. “Find out what? What have you done?”

Was it my imagination, or did he look guilty? “I may or may not have incited rebellion.”

“You what?”

“I didn’t mean to,” he said, looking away.

“What do you mean you didn’t mean to?”

“It all happened so suddenly! There were rebels, and people dying, and–”

My mouth must have dropped open at some stage, because he looked at me and away again quickly, and added uncomfortably: “Do shut your mouth, Mab. You’ll catch flies.”

“There are no flies in Underland. Do you mean to say that you’ve done something noble for the first time in your spoiled little life?”

“I wouldn’t call it noble exactly. It was more of an accident.”

These Are A Few Of My Favourite Things: BROOD OF BONES by A.E. Marling

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I was wondering what my next entry in the Favourite Things Series would be when I came across a reminder on my Twitter feed, in the form of a ‘check out my book’ tweet. That tweet was by A.E. Marling, and referenced his book DREAM STORM SEA (which, however much I loved it, is not the book I will be sharing today).

The book I’ll be sharing today is one of A.E. Marling’s books, though. It’s the first of his that I read–and still my favourite so far–BROOD OF BONES. In BROOD OF BONES, the women of Morimound have all suddenly become pregnant, and no one knows why- or how. It’s left to a Somnolant (narcoleptic) enchantress, with the help of her trusted maid and her bodyguard–plus one rather wicked Lord Of The Feast–to find out why, and to what end.

Broof of bones

And isn’t the cover so GORGEOUS?!?

“A man can never tell how much a woman cares about him until she threatens his life”.

BROOD OF BONES features female lead Hiresha, who has the distinction not only of being one of my favourite book heroines, but of being one of the most convincing male-written females I’ve had the privilege to read. Her 27 dresses and her fascination with gems that borders on the obsessive-compulsive is delightful to read. Her interactions with her fellow characters are spiky and sharp, as is her personality. And although she grows and learns, Hiresha remains herself throughout the book, flaws, cracks and all.

As for the main male lead, Tethiel – well, you just have to read him. He’s delightful and hilarious and a perfect match for Hiresha. His flaws aren’t white-washed, but they’re things that make him, him. There’s a tendency in modern fiction to have an anti-hero type male lead, but oh! he loves puppies, and oh! he’d never kill anyone, and oh, I suppose he’s just misunderstood. Tethiel isn’t one of those. He’s a true anti-hero, with his own reasons and motives for doing things. His interactions with Hiresha are gloriously, frivolously fun.

The only slight annoyance I had with the book was the amount of times we were told about the outward signs of pregnancy, and how Hiresha could tell how far along the women were. I think I counted five or six times, and by the sixth time I was saying aloud: “All right, I get it!” But it was a VERY slight annoyance, and if I’d been reading in the way I used to read as a child (ie, speed reading) it’s entirely possible that I’d have missed a few of the references.

I’m going to be doing a re-read soon, but I want to make sure I have all of the books in paperback (my favourite format still 🙂 ) first. And I have yet to read the spin-off title, A GOWN OF SHADOW AND FLAME, so yay! goodness to look forward to!

Verdict? Buy it. This is one of the books that I’ve bought both an ebook and physical copy of.

At times gritty, at times endearing, and at all times fabulously entertaining, BROOD OF BONES is a book well worth your time, and a wonderful first book in its series (which is likewise fantastic). Do yourself a favour and check it out. It’s some of the best that self-publishing (or in fact any kind of publishing) has to offer.

Your Assistance Is Requested…

Quite a few of you out there on the internets, from the US to Sri Lanka and beyond, were lovely enough to preorder TWELVE DAYS OF FAERY.

Thank you!

Some of you even bought it after it was released.

You have my undying gratitude!1

Now I’m asking even more of you (yeah, I’m greedy like that). In the lead up to Christmas–in fact, in just over a week–I will be running a promotion on TWELVE DAYS OF FAERY concurrently with a preorder promotion on the 2nd novella in the series, FIRE IN THE BLOOD.

I’d love to have at least a couple reviews for TDOF on the Amazons (.au, .com, and/or .uk) by the time that happens.

2nd Shards_FireInTheBloodYou don’t have to have loved it (though of course I’ll love you better if you did 😀 ) and you don’t have to write The Lord Of The Rings Trilogy. A short, meaningful review is just as valid as the longest, most praise-laden one out there. I’ll appreciate every one of those words.

And as always, there is always a free copy of either novella for those book bloggers who are looking for the next blog post and want to read and review. Just contact me via the comments or my contact form.

Thanks, guys! And to all my American friends, Happy Thanksgiving!!

What A Glorious Feeling!

There’s a really horrible part of writing. It’s that part, about halfway through–or even 3/4 of the way through, or right at the end–when you’re convinced that everything you write is utter drivel and it feels like there’s no saving it. The plot is hopelessly holey, the dialogue is trite and stiff, and the surrounding prose is as uninspired at a piece of toast.

We all get it. Well. get it, and I’d hate to think I’m alone in my funk, misery–as they say–loving company. For me, this time, it hit like a sledgehammer right at the end of FIRE IN THE BLOOD. I didn’t even want to edit it. TWELVE DAYS OF FAERY was so quick and easy to write, and it felt like FITB was one drag after another–problems with characters, problems with plot-holes, etc. Most of ’em I fixed as I went, but it left me feeling raw and uncertain about the whole novella. Especially since I preset a publication date on FITB before it was finished (December 25th, in case you’re wondering).

That was then.

Now?

This is me now:

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What makes the difference, you ask?

Well, mostly I think it’s mental. As in, I’m mental, inclined to worry, and unnecessarily complicate things by obsessing over them. Also, a little while ago I finished first edits of FITB (with two quicker rounds to go). Not only did I fix the remaining, tiny (much tinier than I remembered) plot-holes, but I found that the whole thing was about twenty times better than I remembered it being. The dialogue was everything I wanted it to be, the story progressed so much more smoothly than I remembered, and it was all in all a much better novella than I thought it was. So I polished it some more and then went and watched The Marriage Of Figaro on Youtube.

All that wasted worry! I could have spent that on something else!

These Are A Few Of My Favourite Things: Writing Music!

 

Mostly I talk about books and movies, stuff that inspires, delights, and makes me think. But I’ve hitherto neglected to mention in this series the music that inspires and delights me. So today I’m concentrating on my writing music–aka, music I listen to as I write my books–which is why you guys get a video (or three).

I listen to a few different artists as I write, with the most frequently listened-to being Lindsay Stirling, The Piano Guys, and Evanescence. I also like to listen to Nightwish, Within Temptation, and a range of movie soundtracks with wonderful music. Lately, I’ve also purchased a CD of New Orleans music with a dixie/jazz type of sound to it. Listening to music as I write can improve my productivity by up to 100%: I’m far more likely to write 3-6k on a day that I play music as I write, than on a day where I write in silence or with the TV in the back ground. Mind you, The A-Team is great to write to as well, but I do get distracted by the flamin’ awesomeness of Murdock sometimes…

Well, NaNoWriMo is still going, and I still have words to write, so it’s ciao for now! What are you guys listening to as you read/write?

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